the beauty of covers.

Imitation is the best form of flattery, especially when it comes to reinterpreting art in unique and fresh ways. There is this argument though, that it kills originality and the genuity of the original themes and messages an artist was trying to initially convey. This thought is especially seen within the music industry, with sampling and covers. Personally, the notion that these renditions kill individuality in the imagination simply does not make sense. I think it just takes on a new form and the connections through music or feeling/messages of a song can not be measured in a way.

BASS BASS BASS

There is an artist that really embodies the explanation I’m trying to convey. Her youtube handle is Nikki Chin (above) and she’s a part of a  called Tash’s Safe Space. Her personal account is mostly made up of bass covers from what I’ve seen so far. Noticing the attention to detail that she pays tribute to in her covers really made her stand out to me.

She covers my favorite song by my favorite band called “Be Quiet and Drive (Far Away)” by Deftones. She really utilizes the accents of the song within her piece, her bass really adding definition and texture to a song I’ve heard more than a million times. I don’t know but it really felt alive to me. Like Deftones did a really good job with it and of course, no one can outdo the doer, but her cover really brought the bass to another level within the song. She does this with another song that I covered myself, “The Chain” by Fleetwood Mac. She definitely has some techniques that beautifully stray away from the song and even the tabs she used. I think the way she personalized that song is such a huge example of why covers are so important to the music industry.

tyler, question mark space, the creator question mark

I think it goes without saying that Tyler the Creator is an extremely talented artist. One of my favorite things about him is his usage of samples. How he can rebrand a song and make it something completely new. For example, in his album Igor, the track I THINK was sampled from Special Lady by Bibi Mascel and Get Down by Nkono Teles. Two songs were released decades before Igor’s time, and two songs of completely different genres. His artistry helped bring a fresh and new outlook to these with a strong rap forefront and funk/disco undertones. By far it is one of the most talented things Tyler has been able to do.

Too Poppin’ 2 Be Sad On Your Birthday: Breaking Down Amine’s Dr. Whoever

Coming in as the opening single of Amine’s EP/LP/Mixtape/Album (his words not mine), ONEPOINTFIVE, which was released on August 15, 2018, is a song that would touch base on mental health and wellness within the black community. Amine calls this song a “therapy session” between himself and the listener of the song. He releases his most vulnerable thoughts in the style of song that he dare not discuss with his homies. This song is none other than “Dr. Whoever” which features an opening monologue by Youtuber, model, and influencer, Rickey Thompson. 

The opening lines of Rickey’s monologue begins with him saying, “Sad on your [redacted] b-day?…Don’t you realize you popping?”

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This opener definitely hit home for me and I bet a lot more people can find it relatable. While birthdays are meant to be a day of celebration for an additional year of life, I, just as many others, often feel a sense of dread that comes along with it. Rickey’s monologue basically tells the reader that they are too fly to be having a birthday pity party. And Rickey is most definitely correct. 

Amine released this song just a little over a month before my 15th birthday. With little else to do, I was quick to learn this song and it’s become a tradition that I listen to it the day of my birthday before doing anything else just for the opener. 

Although “Dr. Whoever” starts off on a light note, Amine jumps right in with his therapeutic flow of words that will be shared with the listener. The first few lines, “I sit here and tell you my problems…I’m s’posed to be open and honest” is Amine’s way of letting his more vulnerable side be shown to his fans and a way to let down his guard so the therapeutic nature of the song is on full display. Further into his first verse he explores his growing up. He speaks of his firsts, his lasts and even his current situations involving family and love. 

“Dr. Whoever’s” chorus follows the first verse further deepening the illusion of this song being a therapy session between he and his fans/ listeners.  Amine said in a  GENIUS interview, “‘I gotta make sure every intro I do, you and me connect at least.'” Amine delivered on his promise with this song as the introduction song for his album, ONEPOINTFIVE, as “These intros ain’t meant to be bangers; They meant for you and me so we’ll never end up as strangers.” acts as the opening line for his chorus. While these line are pretty straightforward, they further reveal the vulnerability he has as a black man in his music.

Verse 2 of “Dr. Whoever” transitions into a more up tempo beat as does Amine’s subject of rapping. He does this with many other songs of his. It allows the beat to match his words and for the listener to feel more connected to it. Amine speaks on his unexpected success and accomplishments to show just how ‘popping’ he is, which I’m sure made Rickey Thompson proud.  This verse serves as reasons not be so sad and down on your birthday and be thankful for growth and success.

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The chorus plays again after the second verse as the beat dies back down to a more mellow one as verse 3 plays. Verse 3 is where Amine closes out the song with the original message of the lack of mental health knowledge and access to therapy within the black community. He asks of the rest of the black community to open up and be vulnerable about their emotions, because often in the black community we are told to brush them aside. “To all my [redacted] with some melanin, let your feelings settle in.” Even though he preaches of this action of ‘feeling’ he realizes that he “should take that advice.”

The song closes out with yet another monologue from Rickey Thompson. This outro to “Dr. Whoever” states that the person should gather their thoughts and turn up for their birthday. “Dr. Whoever” serves as a way for Amine to connect more with his fans, but I also found much needed comfort in the relatability of his words. I definitely recommend that you should give this song a listen, especially if you would like more insight into the struggle of mental health within the black community, and if you want to discover a dope new artist.  Links will be left down below of the song and his GENIUS video breaking down the song himself.

Until Next Time,

A Girl Who Wants An Amine Hoodie For Her Birthday 🙂