Midnight Mass: Motherhood and Monologue

Midnight Mass is a Netflix original miniseries about the going ons of the small island town of  Crockett Island that slowly changes under supernatural effects. The show itself is a horror piece, using religious imagery of the catholic variety and eventually vampiric lore to arouse unease within the audience. While I find it to be expertly crafted, I want to pay heed as well to the development of the theme of selfishness within the text of the show. I analyzed the use of religion for selfish or personal means and the consequence of doing so as a major theme within the miniseries. In this blog, I intend to describe just how these themes are expressed, focusing on characters used as vehicles for them.

CW: child abuse, religious abuse, islamophobia, murder, self harm, and suicide

Bev Keane(played by Samantha Sloyan) is a parishioner of St. Patrick’s church who is held in high esteem by some characters in the shows large cast, while reviled by many others. Keane is presented as an astutely religious woman from the very beginning, quoting bible verses and correcting the new priest, father Paul Hill(Hamish Linklater), on wearing the incorrect color robes. Sloyan’s character is written to feel overbearing, judgmental, and deeply unlikeable. She complements Erin Greene’s(Kate Siegal) abusive mother in a way to put Erin down, and makes comments on the Muslim faith of the town sheriff(Rahul Kholi), contributing the audience’s dislike of the character. But while she may have expressed her religion despicably, this does not alone show a selfish viewpoint, more simply an elitist one. The perception of the Bev Keane as a simple elitist slips, however, as we learn of her role in the recent events of the town. See, when Crockett island fell victim to an oil spill a year before the start of the series, Keane encouraged the residents to simply take a small settlement from the company responsible. Calling the settlement money a ‘gift from god’, she leveraged many to donate some of it back to the church, which some characters suspect to essentially have gone into her pockets, as the priest at the time had gone senile. Using the money from the donations, the church would erect a rec center, but it is implied the donation money would have covered much more than just the costs of the center. Keane seems to utilize religion as a mask to deflect criticism, and as a means to maintain influence and acquire wealth, making her an insidiously selfish character. When the supernatural events rise within the town, however, her true nature is fully revealed.

Reverend Paul Hill, the new Priest of St. Patrick’s, is similarly influenced by a form of selfishness, causing him to ultimately share the blame of the fate of Crockett island. Hill comes to the church intended as a temporary replacement to their aging original Priest, Monsignor Pruitt, who he tells them to be recovering from a sickness on the mainland. In truth, the young Hill is the same person as the elderly Pruitt, revitalized and given youth from drinking blood given to him by a winged vampiric creature(Quinton Boisclair) he encountered on a pilgrimage to Jerusalem. Hill has brought the creature with him to the island, and has been mixing it’s blood with the eucharist of the church, resulting in the healing of many of the town’s ailments. When a girl previously confined to a wheelchair miraculously stands during mass, a religious revitalization spreads across town. While in his sermons, he speaks of the resurrection of the church, we find in the final episode what he is truly motivated by. After it is revealed that drinking enough of the blood and dying will result in immortality, a thirst for blood, and an intolerance to sunlight, Hill and Keane reveal to the entire church what they have been doing, offering the church members to die and become creatures of the night. It takes a moment for most of the members to accept, all(except for several main characters) do, and they go out and feed on the town. Linklater’s character, who is recovering from a wound suffered earlier, sits with the newly regenerated Mildred Gunning(played by Alex Essoe). Mildred had formerly suffered with severe dementia in her old age, being taken care of by her daughter(Annabeth Gish), but is now young and fully cognizant as a result of having drank the blood of the creature. They lament the happenings, revealing that they were former lovers, and the Hill was the father of Gunning’s daughter. He reveals to her that all of this, despite his feverous sermons, was so he’d never have to see her or their daughter grow old, so he could save them from that. In the end, he was acting selfishly.

The disastrous actions of Hill and Keane fed on, or turned, with the exception of a few main characters. Bev decides to take the role of a leader of them all, seizing her opportunity for power, and leads her flock to burn all the trees and buildings of the island, leaving only the church and rec center to provide cover at sunrise for those she decides to let in. Erin, the sheriff, -people who throughout the show were wronged by Keane- and Hill’s very own daughter, work together to destroy the church and it’s rec center, leaving no cover for those turned by the blood. When the sun finally upon the island, none survive. Hill’s selfish actions exploiting faith lead to the even more selfish Keane to exploit it, resulting in the death of hundreds.

The Warriors

The Warriors is a novel written by Sol Yurick in 1965, that was later adapted into the 1979 film with the same title.  The Warriors is one of my favorite movies ever so once I found out that it was a novel as well I had to read it, because if the movie is great then the book has to be 10x better. The setting takes place in New York, and is centered around a gang that goes by the name The Warriors. We follow them as they make their way through New York to meet at some kind of assembly held by the leader of the strongest gang in New York whose name is Cyrus. The purpose of this meeting is to get all the gangs to work as one to take over the city and overthrow the police, and everything goes as planned until it takes a drastic turn. The leader of the top gang is shot and killed, and the police also appear so this sends everybody into a panic. The leader was shot by the leader of another gang whose name is Luther. Luther then decides to throw the blame onto the warriors and everybody believes him. So now here the warriors are far away from their base, and they have to make it back home all while avoiding not only police, but other rival gangs along the way.

The go through an array of obstacles the end up picking off certain members of their gang, leaving them with a smaller group than how they started. They make their way through several areas that belong to rival gangs who are trying to kill them because they think that they shot Cyrus. Their own leader ends up being killed by Cyrus’s gang, so a member that goes by the name Swan takes over. Along the way Swan meets a girl who lived with another gang. Her name is Mercy, and they form a bond that is toxic, but still romantic. Mercy ends up leaving with the warriors after she instigated a fight between them and her previous gang. Through out the night they have to survive many fights and battles with gang members and the police as well. We truly see the dynamic of the group and what roles they each play as the story progresses. Eventually they do make it make to Coney Island, where Luther and his gang is there waiting to kill them, but it does not go according to his plan. Cyrus’s gang received information on who actually killed him, and pays their respects to the warriors and end up killing Cyrus. From there the warriors are free from running and have nothing to worry about. They lost three members in total and ended up gaining one more.

I’m not able to do full justice by just describing how this story went, but it is truly one of the best things that I have both read and watched. It was incredibly enjoyable and I loved how well the novel was paced. There was a single moment where I felt it was rushed or drug out too long.  It’s an amazing film and an occult classic, so I encourage everyone to at least watch the movie if reading is not your favorite thing!

A Literary Student Analyzes Slipknot Pt. 1

Hello everyone, and welcome back to my blog space! I haven’t seen you all in a few months, so I figured we should start this year with something to get us in the Locklyn’s Blogs mood, you know what I mean? So, without further ado, I will analyze and connect the dots between some of my favorite slipknot songs in the story’s chronological order! You’ll soon see why this story is one of my favorites.

Killpop: 5th track from “The Gray Chapter”

In an interview, Corey Taylor, the singer from slipknot, revealed that Killpop was about the music industry. While that explanation seems fitting, I decided to dig a little deeper and figure out what else this song could be connected to. So, in the song, the lyrics read:

“Maybe I should let her go

But only when she loves me

How can I just let her go?

Not until she loves me.”

This song is from the perspective of a man who eventually comes into contact with a woman whom he quickly becomes obsessed with, but the more he seems to get to know her, the more he realizes that she is also self-destructive. Though after being with him for a little while she begins trying to heal and get better so she can leave him, but he has other ideas. He becomes so obsessed with her that he cannot stand the idea of her leaving him. So he kills her using lyrics a bit too… aggressive for this blog. 

Vermillion: Track 8 from “The Subliminal Verses”

“She is everything and more

The solemn hypnotic

My Dahlia bathed in possession

She is home to me

I get nervous, perverse, when I see her, it’s worse.”

This says a lot about the man’s mentality after the murder. He is still obsessed with her, and from those lines, it feels a lot like the man is seeing visions of the woman. The Dahlia line could also reference the black dahlia case, which was a real-life case about a woman who was also murdered. The second half of that line about possession shows that by killing her, she will always be his. This song is also sang in a very aggressive manner, which gives off major frustration and rage vibes. He is so stressed about the visions and generally goes even more crazy over the fact that he killed her.

“She isn’t real

I can’t make her real

She isn’t real

I can’t make her real”

These lines reoccur a few times throughout the song. This is the man angrily beating himself up over the murder and then the visions that stem from that. He knows the visions he sees aren’t her, and he is frustrated that he can’t bring her back. He can’t touch or kiss her again because she’s no longer real. He is beginning to feel the guilt.

 

Thank you all for reading this month! I hope you enjoyed it and will come back to read the next part in the following weeks! 

i’ve seen “elvis” (2022) four times…and i’m not done yet.

hello again! it’s good  to be back. now, if you’ve been anywhere within a ten mile radius of me in the past two months, you know that my life-long elvis obsession has flared up and is in full swing!

i’ve been a diehard elvis fan since i was about three years old. i’d walk around the house, singing “Blue Christmas”, lips curled and voice bellowing. i ate my breakfast on a plate with his face on it and drank my pepsi from a mug with his face on it (still do, sometimes, tbh). i guess growing up in mississippi, especially so close to tupelo, there’s just something that makes you feel close to him. or, that’s the case for me, anyway. i’ve always loved his music, and it’s what inspired me to sing and learn guitar in the first place. i remember being a little girl, imagining myself playing the “Heartbreak Hotel” solo on a red electric in front of the whole town. now, i play it on a red electric in my bedroom at home. like most things that interest me, i could go on about E for hours on end. believe me. or ask anyone who has been around me lately. his music, talent, heart, and spirit just speak to me in a way that no other artist ever has or will. so, when i heard that there would be a movie about him, i was nervous to say the least.

i was terrified that it would be cheesy, exploitative, or just horrendously casted. but, wow, i truly couldn’t have been more wrong. finding out that baz luhrmann was directing was super exciting because i think he’s one of the most talented directors of the past half century. however, he is known for his…less than orthodox approaches to his films. 

i won’t lie, initially, when i found out that austin butler would be playing elvis, i nearly lost all hope for the film. it just didn’t seem quite right to me that the cute blond guy from zoey 101 would be the king. right up until the movie came out, i had strong doubts. i saw pictures of him in costume, and i just couldn’t see it. i thought miles teller would have been the better choice. now, while i greatly admire teller, i can confidently say that no one could have played that role as well as austin butler.

when my friends asked me to see the film with them, i was hesitant. i just didn’t want to partake in anything dishonoring E’s legacy. but, with some convincing, i sat on the end of the fourth row with a small coke and a cinnamon pretzel and watched, in my opinion, the greatest biopic of all time. though austin doesn’t look much like elvis in a traditional sense, he just seems to completely transform on screen. you can just feel how hard he worked, the research he did, and the respect he has for the man he embodied. his performance was truly a masterclass in capturing the spirit of another human in film. if austin doesn’t get an oscar for this movie, i will be personally calling the academy and berating them for their foolishness. olivia dejonge’s performance as priscilla is also incredible, and she does steal the show during her screen time with her eerily cilla-like cleverness, wit, and compassion. she and austin have perfect chemistry that is showcased brilliantly in every scene of theirs together. (MILD SPOILER) a scene that comes to mind (probably because i have it memorized) is the scene in which she leaves elvis. you can physically feel their hearts breaking, and it’s just breathtaking.

on the other hand…tom hanks. i never thought i’d say this about him, but his performance just wasn’t giving what it needed to give. the hokey accent was extremely distracting and not very true to character. the colonel was notoriously unlikable, and if it was hanks’ goal to showcase that, he executed it perfectly. for me, it was one of the only flaws of the film. however, i don’t think that it ruins the film in any way. austin plays off of hanks’ off-putting colonel perfectly, which softens the blow of seeing tom hanks in a rare role that he cannot play well.

the soundtrack is an entire story in itself. it takes some of the best elvis songs and revamps them, sometimes in an awesome way and sometimes…not. i love the remastered songs that make the audio better or expand the instrumentals, but there were some unnecessary touches here and there. i’ve gotta say, watching elvis walk through memphis with doja cat playing in the background was laughable and a tad jarring–neither in a good way. i do love some of the rap on the soundtrack, i just think it should’ve been blended a little better or just been bonus tracks rather than being featured in the film because it can really take the viewer out of the 50s vibe and remind them of where we are now. and isn’t that why we go to the theatre–to escape where we are now? again, could just be me. the covers in the film are so incredible, and the actors who play b.b. king, big mama thornton, little richard, and sister rosetta tharpe deserve all the accolades in the world for their acting and musical performances–just as the musicians themselves deserve full credit for the way that they revolutionized music and created rock n roll. special mention to shonka dukureh for her magical performance as big mama. may she rest in peace. yola, who is one of my favorite musicians and easily one of the best singer-songwriters of this generation also steals the show with her portrayal of sister rosetta, particularly her performance of “hound dog”. some truly amazing artists (stevie nicks for example) are featured on the soundtrack, and i highly recommend checking you out!

one of the things that blew me away most about the film is that austin butler did most of the singing himself. i nearly didn’t believe it when i found out that he wasn’t lip-syncing because he just does such an amazing job. it’s yet another testament to his dedication to this role. i read that austin was extremely afraid to fill such big shoes and wasn’t entirely sure if he could do it until he found out about elvis losing his mother. elvis and austin both had their mothers pass away when they were 23, which made austin feel closer to him, and from there, he transformed for two years into mr. presley. for his audition, austin was supposed to simply sing “love me tender” but instead opted to play piano and sing “unchained melody”–a hugely emotional ballad, especially for elvis fans because it was the last song he performed live. it was a bold, meaningful choice that paid off in the end.

after seeing this movie for the first time, it was basically all i could think or talk about. i couldn’t wait to see it again. it almost felt like a beautiful dream that i just wasn’t ready to wake up from. i saw it again, and again, and again, and it just seems to get better every time. i had never seen a movie that made me cry, laugh, dance, smile, and feel so close to music until i saw this. so, as the title suggests–i’m not done. if you made it this far, first of all, God bless you, you’re quite a trooper. and secondly, if you have even a remote interest in seeing this film, please, please do yourself the honor of seeing it. and if you’re reading this as an msa student or family member who has yet to see the movie or is ready for another go–by all means, contact me immediately. i would climb a mountain if it meant seeing this again, and the moment i have enough time, i will be sprinting to the nearest theatre.

thank you for reading, and hopefully, i’ll see you next time! ’til then, TCB!

 

mini playlist (five of emma’s favorite elvis songs):

are you lonesome tonight?

moody blue

she’s not you

one night

kentucky rain

Elvis Box Office Prediction: Aims for $35 Million Opening Weekend - The  Filmik

7Fates: Chako (Prologue-Ep 2) A Digesting, Reviewing, Partaking, Analyzing, Moment

Alright. My love for BTS is a secret by no means. If you didn’t know though…I am absolutely enthralled in everything that is the top global 7 member k-pop group-BTS

For Context: Earlier this year, it was announced that BTS would be doing a collaboration with Webtoon– one of the most popular graphic comic website/app in the bizz right now. It was January 14, 2022 that the first episode, “The Prologue”, was published, yet somehow I still have not given myself the opportunity to read it. It’s now March 31,2022. I will admit that I am no avid comic reader, and I only started because of BTS; however, three months later I am seeing what this comic has to offer.

The Webtoon comic is titled 7Fates: Chako and is loosely based of the 7 BTS members. I’m going to be focusing on the first three episodes, including the prologue, to focus on what the comic has been initially giving as I have started it off.

Warning –Spoilers Ahead– Warning

Right off the bat the reader is thrown into an action scene. It is a vivid moment which I assume is introducing the audience to the main 7 people. There is little dialogue in this action scene which could have easily left the reader extremely confused as to where/who/what is even going on, but this isn’t the case. This strategy actually works for a number of reasons.

For starters, since there are such few words written, each word passing becomes vital. The writing team knew an immediate fight scene could be overwhelming with 7 new characters being introduced all at the same time, so a third person narrator gave a very broad description of the story as the main protagonist and antagonist groups were introduced– the Chako team and the Beom monsters.

The delivery can be compared to a microfiction. Like in a microfiction, one wants to say the most with the least amount of words. This is exactly what they did while giving the reader enough information to be interested but not overwhelmed.

After this, the story dives into what seems to be a few moments in the past before the intense prologue scene. The story continues to unfold by jumping back and forth through time. The actual characters aren’t time traveling, but the story is being told by flashbacks and flashforwards. Now, this is exciting and keeps suspense from one transition to another and all, but I am afraid it can be just slightly confusing at times. Luckily so far, when a transition happens, it will begin with two seconds of the scene from where the reader previously left off. 

I’m not saying shifts through time are a bad way of telling a story at all, especially because the main character keeps recalling lost memories about his past in this story. For some reason though, the flashes through time do not feel like smooth transitions to me. It’s almost giving me reader’s whiplash. I hate to say any negative critiques about anything associated with BTS, but this couldn’t be a truthful review without me mentioning this.

Other than that, through the first three episodes I am having no major negative feelings that would cause me to cease interest. Granted I may be a little biased 😉 I feel like so much and not much has happened already, and I am not sure if that is a good thing or not. I’ll leave that up to your own judgement. 

But yeah! This is a fun story that is outside my usual reading zones, and I am glad BTS were the ones to help me explore other horizons of story telling. If you want to see what I’ve been clamoring on about for an entire blog post check out WEBTOON and search for 7FATES: CHAKO for the weekly updated series. Hopefully you won’t be disappointed. I haven’t been so far  Thank you so much and have a great day

California Governor Wants Mental Health Courts for the Homeless

 

Mental Health is a serious issue that has mainly been overlooked in the past, and it happens to affect a good percentage of homeless people.  Some of these people are too poor to afford care, or simply do not realize they need it.  Some mental illnesses lead these people to be a danger to themselves and others which often causes trouble.  Governor Gavin Newsom has proposed having mental health courts who can order treatment and care of the homeless.  This would keep them out of prison and allow them a place to stay and receive treatment for mental illnesses or addictions without just being thrown in jail.  While if they refuse to treat the addiction they will receive punishment.  While many argue there is not funding for the project, the Governor says it is more than necessary to help these people that have no one else to help them, and that the money could be used more efficiently in the government.

 

While there will be an initial cost of the project, overall I believe it would help the economy.  Potentially dangerous homeless people can cause devalue in property.  Also, if the program is successful it will help people get over their addiction or get on the proper care regimen to function properly in society.  If these people are able to get on their feet then they can likely get jobs and contribute to the economy, therefore improving it.

Personally, I think this is a necessary step in the right direction.  Is it a perfect solution?  No, but nothing truly is.  It is definitely time to address the issues of those who are looked down upon by society and offer them a helping hand.  If we help others, oftentimes it will come around again as someone helping us when we need it. 

 

Mental Health is real, and it is supper important.  Many people have the misconception that it is not purely because it is something you cannot see.  However, the sooner we start to address the problem the sooner we can start to recover from it.  We are in a seriously bad time of mental health, and something needs to be done about it.  We work too much and put everything before our self care, particularly countries like America where corporate runs everything. 

Works Cited

Thompson, Don, and Janie Har. “CA’s Governor Wants Mental Health Courts for Homeless People.” AP NEWS, 3 Mar. 2022, apnews.com/article/homeless-california-

gavin-newsom-919b1464a03a27ffbe503a31088249d1. Accessed 4 Mar. 2022.

 

I Have Called You By Name

At the beginning of last month, Wednesday March 2 was National Read Across America Day and our literary class went outside to read for the entirety of fourth block. We all grabbed our books and spread out across the main lawn of our school campus. Some of us laid out on the dry, cool grass and some of us sat on the smooth, chill concrete sidewalk. Embracing the sunlight or the cool shade of a tree, we all got comfy to begin reading. The book I brought to read (and that I’m still reading) is called I Have Called You By Name by Jerry B. Jenkins. (I also read Tactics by Gregory Koukl, which is a very good book as well, but its not what I will be focusing on today.)

I Have Called You By Name is the novel version of the first season of the show The Chosen. This show, just to let you know, is a totally crowd-funded multi-season TV series that has its very own app (working with Angel Studios ). The show is completely free to it’s viewers due to other people’s contributions. Being fully crowd-funded, it also has absolutely no ads and is only streamed on The Chosen app, which you can get on your device or on your smart TV. 

the first book is a written form of the first episode, along with the beginning of the book including the written form of the Shepard, which is a short episode that Dallas Jenkins (the front man and creator and scriptwriter for The Chosen) created for his church’s Christmas show on his friends farm. This episode is what inspired the entirety of The Chosen. 

After the book tells Jesus’s birth story, it jumps to tell a piece of Mary Magdala’s story; her childhood and her father reminding her the words of Isaiah 43:1 “… fear not, for i have redeemed you: i have called you by name, your are mine. Then the book goes to show us her as an adult, struggling with the consequences of her being possessed by demons. The next section tells us about the Pharisee Nicodemus being stopped on the road by the praetor of Capernaum, Quintus. they talk of who they serve and mention unpaid taxes, a tense conversation that ends with Quintus making a confusing fish analogy. 

the story moves on to introduce us to Matthew, a Jewish tax collector who is methodically getting ready to go to work. then next few chapters bounce between Matthew’s experience as a hated Jew  and Nicodemus experience of being a praised rabbi that is told to go help the Romains. 

after that, we get to see a fistfight. the fisherman brothers, Simon and Andrew — with Simon in the center of the group of men, fighting one of his wife’s brothers Jehoshaphat. just as Simon is about to win,  Jehoshaphat’s brother Abrahim beats Simon and truly wins the fight. 

The Chaos Chapter: Freeze (Part Two)

Welcome to the third installment of the Tomorrow X Together review series! In this blog, I’ll be reviewing the last four songs from their second studio album The Chaos Chapter: Freeze. I’m working my way back in their discography, so in the next post about them, we’ll move to min1sode: Blue HourFreeze was their most recent release when I discovered the group, so I hold it near and dear to my heart—-and that means you have to like it too! If you want to listen to the album yourself, you can do so here: 

https://open.spotify.com/album/5Zdr9vactwnJH4Vpe9Mid9?si=LsDSOcS_Rd6GWvHBgbvRmQ

 

Before We Get Into It   Because this is a blog mostly viewed by my peers, I make the choice to use the simple English translations from the reliable sources available to me and discuss those versions of the writing. They are not perfect reflections of the original writing, and unfortunately, they cannot capture the nuance of the writers’ words. If you enjoy music in languages that you yourself are not fluent in, I strongly encourage you to seek commentary on your favorite tracks from native speakers!! I find it really fun/interesting to research elements of music that cannot be conveyed through translation software, regardless of how advanced it might be, and it can be super helpful in getting you the full picture of what the artist(s) intended to capture and/or accomplish with their work.

What if I had been that PUMA

The fifth track in the album, “What if I had been that PUMA” is one of Tomorrow X Together’s most wildly underrated tracks. With a similar them to the last song featured on their first full album (The Dream Chapter: Magic), it shares the difficulties of a narrator stuck between two opposing choices: “A” or “B”.  While the Korean title translates closely to “Balance Game,” the mention of a puma in the English title is a reference to the lines: “At the zoo but can’t guess when / What would the puma feel?” and “Pick your answer A or B, it’s a balance game with a puma and I in front of it.” The puma represents a more primal version of the narrator; it has the choice of staying in a cage to suffer and ultimately die or trying to escape by taking intense risks. It alludes to the human version of this struggle: deciding to live in a cycle of dissatisfaction, or take chances on themselves, their dreams, and their desires and chance losing the stability of unhappiness. “Probability is fifty-fifty / My choice will become a reality / But I’m not sure either way / Close my eyes and guess it, guess it / Choosing between A and B / Don’t know if it’s the right answer, I’ll leave it up to luck” are lines that depict the narrator’s sheer uncertainty about which choice will best serve them–they worry about being haunted by regret for their decision, so they leave it to fate to avoid feeling responsible for the circumstances they end up in.

No Rules

This is one of those songs you feel guilty about bobbing your head to once you remember the meaning of the lyrics.  Due to the similar titles, it can be interpreted that “No Rules” is somewhat of a sequel to the preceding track “New Rules” (also from The Dream Chapter: Magic), which expresses the narrator’s desire to make their own rules in life. Now, the narrator has achieved the freedom they so desperately desired, but it seems to have come with a cost; they realize that their youth was the real freedom, and that adulthood comes with its own set of expectations and standards. This feeling of frustration is exemplified with lines like: “I’ve never wanted a routine / The alarm that rings whenever it’s my time to sleep / Yeah, why the hell does it exist? / My stretching belly fat is a bonus / Now there’s no bruises I can hit anymore / Yeah, I wanted to be a punk / Oh, but did I just become a real idiot?” The emotional impact of still being confined by the unspoken rules that society has designated for successful adult living is very prominent in the song.  “Left foot or right foot first? / Is it A.M. or P.M. right now? / I’m confused because all of the broken patterns / Don’t know what’s right, I don’t get it.” It indicates that the narrator has lost their sense of control over their life, and that they are living in bitterness about how they must move in accordance with the rules without giving thought to how or why.

Dear Sputnik

“Dear Sputnik” is the superior B-Side—I said what I said. Songwriter Huening Kai captures a wonderful blend of sincere intensity with his powerful lyrics that perfectly suit the pop-punk style of the track. The title is a reference to the artificial satellite, Sputnik 1, to successfully orbit Earth; the definition of this Russian word can also be translated to “fellow traveler” or “guide.” The song describes the journey of a narrator who is lost in the frozen emptiness that is space, until they discover their own sputnik, a unique connection that helps the narrator heal and move forward with their life. As would be expected, there are many metaphors comparing love and loneliness to terms related to space, such as “Let’s engrave eternity in a starlight” and “In a crumbling world / I found a star called ‘you.'” The consistent inclusions of the onomatopoeia ” oh, oh, oh-oh” left space for the performers to show the feeling of moving toward something greater throw their singing, with each “oh” sounding higher and louder than the last. Word choice seems to be influenced by the narrator’s fierce passion for the person and relationship they are describing, and the narrator speaks in ultimatums, leaving no room for the discussion of possibility that their feelings may fade or the relationship may come to an end; the small choices solidify that the idea of this connection not lasting is too devastating for the narrator to even consider, and it further clues the audience in on how bad the mental place they were in before was before they met their “sputnik.”

Frost

“Frost” is another favorite track of mine; the concept of the song itself is a bit darker than anything featured in Tomorrow X Together’s music, although the same cannot be said for their music videos, which usually feature snippets from the group’s complex and borderline-painful original storyline.  The lyrics help transfer the narrator’s feeling of claustrophobia and being trapped to the audience with lines such as “The hole stuck in my heart is getting bigger / That small island enclosed in a veil” and “At the tip of my tongue, I call out that name / See only my icy breath.” The narrator has this tortured tone that immerses in the audience in this frozen wasteland that they find themselves trapped in, and the incorporation of adlibs personifies the eeriness of the strange, isolated setting, as well as welcomes us into the mocking illusions that haunt the narrator. It does an excellent job of easing the audience from the pop-punk style of Tomorrow X Together’s other songs into something darker and more chilling.

why the folklore trilogy is a storytelling masterpiece

as writers, we often find ourselves picking apart every single detail of a story, down to the smallest nuances of a character, their purposes, and their motives. “august,” “betty,” and “cardigan,” are often referred to as the trilogy of taylor swift’s “folklore” album.

the three main characters include augustine, james, and betty. if this were any traditional story (with a beginning, middle, and end), we would see the beginning of the relationship between james and betty, then it would follow into the affair and aftermath.

instead, we begin with “betty,” ironically written from james’ perspective. using context clues, we can infer that betty and james were together before he became involved with another woman. he ponders the idea of coming directly to her, apologizing, making excuses for himself, and essentially saying that it was her all along – that he loved her, even though he was cheating over the summer. the song ends very ambiguously, with no one really knowing if betty ever took him back or not, or if the intervention even happened.

next, “august” is written from the perspective of augustine, the “other woman.” rather than demonizing her and playing on the homewrecker trope, “august” contains beautiful imagery surrounding her feelings of inadequacy. she feels guilty for loving a man who was already in a relationship, and she feels betrayed by james, because she doesn’t feel like she has the right to grieve a relationship that she was never supposed to be in.

finally, “cardigan,” is written from betty’s perspective. this is where we learn that, if the intervention ever did happen, she had the strength to turn him down. of course, lost love still lingers and still hurts, which she entertains in this song. in a certain way, it connects back to the storyline in taylor swift’s red album, with the underlying theme of, “i knew this was a bad idea, but i did it anyways, even though i knew it would haunt me.”

by now, everyone and their second-cousin’s pet snail knows about the folklore album, but what does it mean, and why, as writers, should we care?

there are so many instances of foreshadowing and detailed connections, as well as the full development of a story, its characters, and why it’s important to look at a situation from all angles. most people, when faced with someone like augustine, would immediately jump to blaming her for letting a man cheat with her. that is entirely not the case, though, and even if it was, it brings in the idea that it wasn’t what she wanted. everyone talks about how love is blind, and augustine’s point of view holds more weight when someone understands that she may not have felt like she had a choice, or she legitimately may not have had one. 

even those who have no sympathy for cheaters can find pieces of themselves within james, and especially those who have been cheated on or been a second choice can resonate with betty’s character. it’s a gentle reminder that we are all flawed, and we are all trying our best.

finally, it’s worth noting that the storyline carries over into so many other songs on the album and its successor, “evermore.”

what are you waiting for? give it a listen

The Holy Trinity: Sweet Home

There will be mild spoilers in this review! It mostly focuses on examples of writing tools from the first episode and knowing about the situations mentioned shouldn’t take away from your viewing experience, in my opinion. But if it means you’re more likely to watch the show, then yes—this blog is bursting with bad, terrible spoilers! It actually includes a spreadsheet of all character deaths and relationships and—

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If you ever hear me yelling about shows that are overdue for another season, expect to listen to an essay’s worth of conversation about how much Sweet Home deserves it. Released on March 2, 2020, Sweet Home had all the markings of a hit television franchise: fascinating, sympathetic characters; clever storytelling matched with a pace perfect to keep audiences on the edge of their seats; and a rejuvenating spin on the classic, apocalyptic trope the world has come to adore. In addition to the terrifying monsters that have overtaken the city and the apartment complex, the series depicts characters facing hardships in mental health, mistreatment, trust, loss, and navigating the warped perception of morality and obligation that comes with life-or-death situations.

Foreshadowing covers the show with an eerie fog. Within the first twenty minutes of the show, the protagonist Cha Hyun Su narrowly escapes death on two separate occasions.  On his way to his new apartment, a furious blade escapes a weedwhacker and is mere inches from hitting him directly in the face; later, we find out that Hyun Su moved here with the intention of taking his own life, and he contemplates jumping from the roof of the building before he is distracted by one of his neighbors. The inclusion of these incidents gives the audience the sense that Hyun Su does not feel like he is in control of his own fate. He considers suicide inevitable and is at the mercy of the world moving around him. At the end of episode one, his nose begins to bleed profusely, a sign that he has been infected with the disease that is turning people into vicious monsters. In literary terms, his contraction of the disease is a manifestation of his lack of power, and it brings him the toughest version of the battle to stay in control of his own mind and ultimately, to stay alive.

There is a lot of situational irony that accompanies a person turning into a monster. Instead of opting for each individual who becomes infected to have the same condition, the writers took a more creative approach. If they cave into the infection, they will become a monster whose design is based on their deepest internal desire. Before her death in Episode One, one of Hyun Su’s neighbors is seen talking on the phone with her friend and petting her cat, saying that she wishes she was able to eat whatever she wanted. Hyun Su is notified that his package of food was placed outside his door, but when he goes to retrieve it, he finds that it has been ravaged, with packages leading to the neighor’s bloodstained door. Hyun Su sees the mangled corpse of her cat before a hand reaches out, pulls it back into the room, and seems to begin feasting on it. He retreats to his room, only to have the neighbor approach his locked door, asking for help; when he refuses, blood begins to poor from her nose, a sign of infection, as she screams about how hungry she is and begins beating on the door with startling strength. Later in the show, a monster with protistic legs is seen running at the speed of light, and a woman who lost her child becomes a large, nonviolent fetus. It is the inclusion of small details like these make the show so captivating; the audience gets these subtle reminders that the monsters were once people with the most human desires we could possibly think of, and it makes us even more fearful about the safety of the characters we have quickly grown attached to. Although, we still experience this spark of curiosity of what kind of monster each person would turn into. 

None of the leading characters in this show are perfect or have ideal intentions. Most of the leaders are forced into the position by circumstance, and they are weighed down by the hard decisions that they never wanted to make in the first place. Like other characters, Hyun Su is borderline forced into finding the endurance to fight the infection and, in turn, the trauma that resulted in the dreary mental state we saw at the beginning of the show. In the midst of this atypical situation, the writers present us with an exacerbated version of a common problem: if something positively affects the whole is an individual morally responsibly to make sure that action continues, despite the internal conflict it causes them and others? Written to be eerily relatable, the characters’ circumstances always have the audience asking themselves what they would do if they were in a particular person’s place, which makes the story all the more fascinating. 

Sweet Home has a special place in my heart, as it was the first foreign drama that almost immediately reeled me into an emotional connection with the characters. It is truly one of a kind in its content and presentation. Two years without a second season has been a tough ride for its many viewers, but they can find comfort in knowing that the Webtoon the show is based on is available to read in full. https://www.webtoons.com/en/thriller/sweethome/list?title_no=1285&page=1