This series of blog posts is about the instrumentation behind All four of Nirvanas albums the three studio albums in Bleach, Nevermind and In Utero and the compilation album Incestiscide and depending on the reception of the series Unplugged will get a nod.
The Bleach era (1988-1989) featured Guitarist Jason Everman, Drummer Chad Channing (and occasionally Dale Crover of The Melvins), Bassist Krist Novoselic, lead guitarist and Singer Kurt Cobain. Oddly Jason Everman doesn’t appear once on Bleach recording. He paid to produce the album thus getting him a writer’s credit. The trio of Kurt Krist and Dale Crover would hit the studio in late 1988 to start work on Bleach with producer Jack Endino the songs Downer, Papercuts and Floyd The Barber would be completed and though an attempt to rerecord with Chad Channing came about the three ultimately decided to leave Dales original tracks as is. Every other song has Chad Channing in full force playing away.
The odd sound of Bleach comes from the cheap recording equipment used. The band was taped on a eight track and played every song live overdubbing in the post stages (which Kurt hated with passion). The setup for Bleach’s studio recording is as follows: Track one Chads Kick Drum Track two his snare and hi-hat recorded on an overhead place on a boom arm about 5-10 feet above the actual drumkit. Track Three has his floor tom with the microphone passing under the drum’s resonator head on the bottom. Track Four a mic for his tom 1 drum directly attached. Track Five was Krist’s bass and mic up of his amp placed in the same room as the other instruments and at times you can hear blead through from other things happening in the room. Track Six was Kurt’s vocal then track seven was Kurt’s guitar and Track Eight was free for either one vocal or guitar overdub which most times would be a rhythm guitar part that Jason Everman would play live. This in turn is also due to Nirvanas style being very noise rock adjacent at the time.
Bleach had a troubling process to begin the record label Nirvana was signed to at the time Sub-Pop was trying hard to stay afloat and thus couldn’t afford to pay the studio time necessary to record Bleach. So, Jason Everman the newest member of the band after Chad paid the entirety of the money necessary to produce and publish the Album. Granted he would tour with the band for the duration of their North American tour before being fired and joining Soundgarden.
“Blew” A more sludge metal take with the growly low distorted bass and aggressive guitar dives creates a song that invokes a sense of violence almost. Plus, Chad Channing delivers a impressive triplet groove that slides around the kit and makes it poppy. The bass growls on the opening track as well creating a heavy mosh sound.
“Floyd the Barber” is a heavier sludgy song through and through. Aggressive distortion meets bad production equipment. A lot of bleach is punk rock and the lead off track starts us right, Kurt uses a mixture of guitars most importantly a Mosrite guitar with two large humbuckers in the neck and bridge position. Which creates loud and almost oscillating tones.
“About a girl” Kurts Beatles song. Growing up Kurt Cobain was quite a Beatles friend and even as he got older and rowdier he found solace in Abbey Road and Sgt. Pepper even so much as so constantly playing the song in Tracy Marander’s apartment to whom the song is about. The song is played with a very clean Strat sounding guitar with distortion on the solo. Alternatively, Chad Channing’s drum part is very rhythmic and matches the bass line.
“School” is a noise rock song and seemingly uses a fuzz effect as when I attempt to recreate the sound whenever I play my fuzz pedal does better than my distortion box. Also, the rhythm guitar part fills out the main chord progression of the song under the lead part a clever and very subtle use of that elusive Eighth track available to record with.
“Love Buzz” is well a burst of sound the guitars are tuned up a half step higher than normal and for a band that typically drop tunes a weird, distorted sound comes out. Kurt’s guitar almost sounds metallic clanking together, while the Bass seems uncharacteristically low and eerie. The drumming is fantastic as the pace of the song is fast and hard to miss. The guitar solo features the rhythmic strums of a A major chord.
“Paper Cuts” this track is heavy dark gloomy and scratchy it fits a certain aura that is just the right amount of painful noisy rock mixed with a slight cleanliness of production plus Dale Crover leads a hard and powerful drum track for the ages. Kurt did overdub with a feedback noise with his guitar close to his amp.
“Negative Creep” is a song mostly composed of power slides, a technique where one strums an open string grab said string and slides up or down the fret board. This technique creates slight dissonance and harmonic screeches. Which happens whether accidentally or attentionally.
My top listens are.
Downer
Negative Creep
Love Buzz
Blew
Please leave music recommendations in the comments.