The Giver by Lois Lowry

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The Giver by Lois Lowry

Lois Lowry’s The Giver is set in a place known simply as “the community”. In the community, everyone is expected to show one another respect and caring—rudeness, lying, and simple exaggeration are all discouraged. Anywhere beyond the community is known simply as “Elsewhere”, and those who break the rules, grow too old or too sick, or simply ask, are “released” to Elsewhere. People are divided by their numbers (ages) and job occupations. Once a person enters the Ceremony of Twelves, they are Assigned their roles in the community—except for Jonas, who is chosen to be the Receiver of Memories, the highest honor of them all. Jonas has no idea what it means to be able to “receive”, but enters training anyway, apprenticing the previous Receiver known as “the Giver.” As Jonas is given memories, he realizes that he and the community have lost more than just the past.

The simple detail given in the book reflects Jonas’s and the community’s point of views. They do not notice color, shape, or form because they have been taught not to. As the book goes on, the detail grows to show Jonas’s worldview expanding. The twist with color is also a clever one that I did not see coming, as is the more major twist towards the end. Even though we may not be able to perfectly see what is happening, we get the idea clear enough.

Dystopian novels are always hit-and-miss with me, and I feel that the one presented here works. Lowry wisely does not explain every facet of the community, as each answer would probably raise another question. There’s no extremely-advanced technology or a dictionary’s worth of terms to keep up with. Although the community, to us readers, is as bizarre as it needs to be, it does not break logic. There’s some sick kind of reason to how the community is run. The lack of explanation for what caused the world to become the way it is works in the story’s favor.

Jonas, being twelve, offers a naïve newcomer’s view on the events taking place. We learn what he learns. Admittedly, I would say that the only character with personalities are Lily, Jonas’s sister; Asher, Jonas’s friend; and the Giver himself. One could argue that this is the point, to show how the community is boring and unison, but the vocal charismas of Asher and Lily kind of undermine that. The Giver himself is an enjoyable character—you expect him to be quiet and mysterious, in that ‘creepy-magic-old-guy’ kind a way, but he’s actually very sweet and soft-spoken. The way he interacts with Jonas is both heartwarming and telling of the setting the story takes place in. The same can be said for the dialogue spoken in the story. It is stilted and awkward, but with reason.

The subjects that story tackles, and the numb tone to which it does, adds to the eerie and mysterious tone of the novel. Murder, loneliness, solitude, and lack of emotion are all discussed in a speculative manner—i.e., how would people act if they did not know what ‘this’ meant? Jonas himself must deal with great emotional suffering as he realizes that the people he loves cannot and do not love him back. The film adaptation was a romance story between Jonas and Fiona, but it’s more of a tragedy here. Jonas has feelings for Fiona, but not only can she not reciprocate them, Jonas himself can hardly understand them. This helps the curiosity as to what caused society to become the way it has.

Though the novel has many things working in its favor, and it builds a not-wholly-original-but-overall-captivating world, it ultimately could have done more. The book is very short and only takes a shallow glance into its circumstances. Many things are left in the air and are unresolved. Now, it is important to know that the book actually has sequels/prequels/midequels? Other books that take place in the same setting. Unfortunately, it is also said that these books are inferior to The Giver, and I probably won’t be reading them. So, judging the book by itself, I don’t think it took advantage of its setting as much as it could have. Also, I know many consider the ending to be artistic and deep and insightful, but I was simply unsatisfied by it.

Overall, I still think The Giver is a fine, if not simple, book.

 

 

Part IV of Quiet by Susan Cane

How to Love, How to Work

Chapter 9-11

Chapter 9; “When should you act more extroverted than you really are?”

This chapter begins with a quote by William James:

“A man has many social selves as there are distinct groups of persons about whose opinion he cares.  He generally shows a different side of himself to each of these different groups.”

The quote summerizes the basic thought the chapter is based off of.  It explains the free trait theory veru simply also.  This chapter poses the question “Do fixed personality traits really exist, or do they shift according to situation.?” The Free Trait Theory says we are born culturally endowed with certain personality traits, such as extro or introversion.  However intoverts are capable of acting like extroverts when working on “core personal projects”.  These are things people find personally important- loved ones or anything this person values highly in their life.

This Chapter includes a checklist to see if you are a high self monitor or not.  A high self monitor plays to audience.  They ‘monitor’ their social behaviour more than low self moniters.  Low self monitors go by their own internal compass.  They are less sensitive to social cues and behaviour changes.

Chapter 10

The Communication Gap

‘How to Talk to Members of the Opposite Type’

This chapter begins with a quote by Carl Jung:

“The meeting of two personalities is like the contact of two chemical substances; if there is any reaction, both are transformed.”

This chapter tells how introverts and extroverts react to one another.  The book says that introverts actually attract extroverts, as extroverts tend to attract inroverts.  Opposites attract, in other words.  The chapter opens with an example of a couple that is introverted and extroverted.  They love eachother, however the fights they have are normally about social events.  Unsurprisingly the extrovert wants people over constantly, while the introvert does not.  The two admire one another for their opposite strengths.  The extrovert feels grounded will the intovert feels alive.  I good dynamic for a relationship, whether it is frienship or being a couple.

The book also talks about the dynamic of understanding portrayed emotion through each personality.  When arguing intoverts typically get flat toned and sipassionate, whether it is sad news or angry news.  This is hard for extroverts to understand because all they see is a dispassionate person that does not care.  When really, it’s the opposite.  Introverts care too much, typically and do not know how to accurately portray that emotion without breaking into fits of complete vulnerability.

Chapter 11

On Cobblers and Generals

‘How to Cultivate Quiet Kids in a World that Can’t Hear Them’

This chapter begins with a quote by Plato, The Republic

“With anything young and tender the most important part of the task is the beginning of it; for that is the time at which the character is being formed and the desired impression more readily taken.”

This chapter explains how if extrocerted parents are given an introverted child, they often think something is wrong with this child.  However in another household, this kid would be a ‘model child’.  It really does depend on the understanding of the two types of personalities.  It starts with a story once told by Mark Twain about a man in search of the greatest general to ever live.  This man went all the way around the world, and by the time he found the guy someone told him the greatest general ever had died.  The man pays a visit to the pearly white gates and talks to Saint Paul.  The man tells Saint Paul he is looking for the greatest general that ever lived.  Saint Paul points to a regular looking man.   The man says “That’s not the greatest general to ever live!  I knew him when he was alive, he’s just an old cobbler.”  To which Saint John replied with “No, he was not a general, but if he was he would have been the greatest that ever lived.”  This is supposed to show the importance of letting talents flourish.

In conclusion, the tone was factual, but it is biased for introverts.  It refers to extroverts in a sort of outsider way.  I immensely enjoyed this informative concept and structure of the book.  Each paragraph began with a quote and a story as an example of the topic.  It was a very well written book, and I would recommend it.

Stargirl by Jerry Spinelli book review

This book was based on a young girl who had moved to a school district and came to regular school after being home schooled her whole life. She didn’t know how to fit in with the other kids and did things completely out of wack. She didn’t really pay much attention to the fact that people were judging her and instead stayed the way that she had always been. She also named herself according to what sounded good to her. She didn’t stick to one name, she didn’t care that it wasn’t normal.

We see a romance develop between star girl and the main character. This is quite interesting because the main character has opposition to her in the beginning of the story just like everyone else did and then somehow down the road was drawn to that difference. I love the idea of this romance, it was so different than most romance is conveyed in books. This honestly added in so much of a plot and individuality to the work. I also like the idea of him wanting her to change, and not liking the way that she is simply because she didn’t fit in with everyone else. He was helpless to the idea that she wouldn’t change who she was just for him.

The stargirl was selfless throughout the book. She didn’t care what people thought of her, and she almost seemed to not have an ego at all. She only wanted to make other people happen, not herself. If anything, helping other people made her happy. I enjoyed this aspect of this character because it’s something you don’t really see much in other books. You almost have to root for this character, and I always got lost in thought thinking about how it must have felt to be helpless if only for just a moment.

I really like the fact that throughout this entire book there was always some kind of surprise that I would never expect. I didn’t lose interest in the book because every time I turned the page there would be some image sticking in my mind that I couldn’t get out of my head. At some point the idea of a wagon that she kept rocks in was brought up. She placed rocks in the wagon for each time that something made her happy and took it out each time it made her sad. This was a really good example of the surprise that came in this book.

This book still resonates in my mind. The end of this book tied the whole thing together and gets the reader thinking about literately everything that happened in the book all on one page. We think about the fact that this young girl who was so weird had so much of an impact on a school that she was only in for one year. Her leaving almost makes us want to understand why she left in the first place. I wanted to see more of her, to understand what made her act so weird. Most of all I wanted to know what she would do next.

Macbeth- William Shakespeare

The Overview:

Macbeth is a tragic play written by the infamous William Shakespeare and allegedly first performed in 1606. It describes the dramatic fall of the titular Macbeth from revered war veteran to psychotic king. After years of war, Macbeth is declared a war hero. Then he comes across three witches who make for him a startling prophesy: Macbeth will become first, Thane of Calder, then king. He dismisses the witches, until immediately after,  he is named Thane of Calder. This starts a Domino Effect, until Macbeth becomes mad with power and plagued by guilt over the terrible things he has done to achieve it.

The Diction:

As one would expect of anything of Shakespeare’s, the diction is very, for lack of a better term, Shakespearean. It was, for me at least, next to impossible to read and understand simultaneously without prior exposure to Elizabethan language. I would most definitely advise reading aloud, as that is how it is intended to be heard, and is far easier, though still tough, to comprehend.

Potential Turn-offs:

For me, there were many turn-offs. For one, it seems like even the great Shakespeare isn’t perfect. There are subjects that are brought up and dropped later in the story as if they never existed. The problem is, besides the obvious creation of a major plot-hole, is that when you include prophetic elements in a story, you had better fulfill it. Obviously, there are going to be loopholes in it, which makes the wording of the prophesy crucial. There are also abrupt changes in character that bothered me greatly. The story is also far too political for my taste.

An Appealing Factor: 

I’m thinking really hard to come up with even the smallest thing that I enjoyed in Macbeth. The best I can come up with is the smart mouth of Macduff’s son, Macduff’s loyalty, and savagery of Lady Macbeth’s reasoning. I won’t give any spoilers, but not all of the aforementioned  traits survive to the end.

(BONUS) The Hype:

Supposedly, Macbeth is Shakespeare’s second most popular play, right after Hamlet.  I haven’t read Hamlet, but I’ve seen loose adaptions of it. I’ve also read and seen Romeo and Juliet, another famous play of his. So, I went into Macbeth completely ignorant of the plot and hoping to enjoy it as much as I did Hamlet and Romeo and Juliet. The only thing I knew about Macbeth was just the bare bones of Lady Macbeth’s characters, and I was looking forward to it. And I must say, I came out of it more disappointed than ever. There is discontinued plot elements, a terrible character’s de-evolution, and if I hadn’t been had an audio-book to listen to, I wouldn’t have understood a word. I wouldn’t have even kept reading.

My Rating:

I don’t think I’ve ever been so let down by such a hyped up piece of literature. Without a doubt, I am never going to read Macbeth again. I’ll give it 3 stars out of 10, and I’m being generous.

A Long Day’s Journey Into Night Play Review

A Long Day’s Journey Into Night is a play by Eugene O’Neill. The play is about Mary, Tyrone, Jamie, and Edmund. These four characters are very smart and seem very wealthy. The father, Tyrone, is extremely cheap and stingy, he is a businessman that buys land and rents it out, but he gets scammed a lot by in his mind, a friend, and he is into the theater and Shakespeare. The mother, Mary, has a bunch of things that happen to her. She is very caring, but she has a troubling past of mental and drug problems. She starts showing signs again in the play of mental illness and the characters become worried for her. The older brother, Jamie, is a very interesting character. He is kind of like the mentor to Edmund and he sleeps with prostitutes and drinks a lot of alcohol. He shows a lot of signs of jealousy at Edmund, he also seems very angry. The younger brother, Edmund, is kind of like the baby in the story. He talks a lot about philosophy, writers of philosophy, poetry, poets, and he also drinks a long with Jamie. He is sick in the play and the mother worries about him, but he seems content with his sickness. Edmund has signs of being very pretentious and stuck up.

I think that the idea in this play is very good and unique. I think that the stage directions in this play is extremely well thought out and great. The stage directions throughout the play definitely add a very strong feel to the play and gives a good punch to the story. They are very detailed.

I like the idea of the story and the play is very well thought out and put together well, but I did have some problems with the story. I think that the author had so many ideas for each character that he felt he should put in, that it seems more of a grocery list of problems and characteristics. It all kind of jumbles together and dos not necessarily work with the effect that the play has ultimately. The plot is very slow and it does not seem to build up for me. It was lacking action or even intense moments in the play. When a character revealed a big thing that happened, it’s more glossed over and there seems to be no reaction or turmoil from what they revealed. The big reveals of the mom, Edmund, and Jamie did not have a big effect of a big reveal of what was happening because too many hints and reveals was scattered throughout the play. The reveal didn’t have an effect that it should have had because all of the reveal was scattered throughout. I understand that the mom is very crazy and many of the characters seem crazy, but in this play, so many things were repeated more than once. At times a character would say something to another character that they already told another character, but it was done multiple times and that specific strategy even got repetitive.

The play has a great story and it is well put together, I just feel that it lacks excitement.

 

It’s Kind of a Funny Story by Ned Vizzini book review

This is a story about a young boy who started off quite normal. He lived a normal life, his parents were still together, his sister was a smart girl, and he didn’t have any home troubles. He wasn’t bullied in school, and he had friends that he enjoyed spending time with. His best friend’s name is Aaron and he spent most of his time at Aaron’s house watching TV and smoking.

We later see his character start to transform into a boy who is struggling with depression over something that he did not understand. From what we know about him there was no real reason for him to become depressed.  Something in his mind just clicked at a party when his friend starts to date the one girl that he was attracted to. We find out later on that his problem really was a chemical unbalanced problem instead of having some traumatic story to his problem.

This story was structured and written very well. I was drawn to the story from the very first page when it starts out with “Its hard to talk when you want to kill yourself.” This really brought me in to wanting to read this story because the subject is touchy and many people especially in this day and time can relate to that in some way. I loved the idea of it being a chemical imbalance because usually people think that there has to be a reason behind being depressed, and they mark off people who have problems with depression as just wanting attention. The story also has a way of showing the characters thoughts very well. The way he talks to himself shows us the destruction of his mind slowly and we can clearly see his age throughout the dialogue he has with himself and the “army guy” that is in his head. He refers to himself as soldier and the man that is in his head seems to always push him forward into doing certain things that need to be done. The use of this gives us so much about this character and really moves the story along.

The place he is placed into when he tries to kill himself really brings more into the story. He makes new friends, and he surrounds himself with people that are like him. I think that the idea of him being where he is with the people that are like him opens him up to the idea that he isn’t as crazy as he thinks he is and shows him that he isn’t alone with his feelings.

There are so many real characters in this story. We see development of all the characters in the ward that he is in. Ranging from a character who is a sex addict to some that are really mentally insane. We also see a character who just wants to get back on his own feet, and have his own home. This was all real to me, and this book really cleared some things up to me about what depression really is.

Animal Farm Review

Animal Farm, written by George Orwell in 1945, recounts the dangerous life of farm animals on their farm. The main characters are depicted in a simple format and writing style , but the entire plot of the story alludes to the communist party/ the Soviet related events that were unfolding in Orwell’s life as he aged. (Orwell is known for being against totalitarianism).The novel’s main characters are Napoleon and Snowball (pigs), the two leaders of the animal’s revolution in the story. They first overthrow their human owner with the help of the animal’s original leader, a pig named Squealer. They overthrow  Mr.. Jones, then move to the rules of Animalism, making sure the the main rule is “Four legs, good, two legs , bad.” Everything is fine at first, but when Squealer dies and Napoleon/ Snowball come into power, the rules become unclear. All the other animals still follow, although uneasily, and they build windmills, start trading with other farms(though at first the rule stated not to); they even set up battalions to defend the farm when need be.

The pigs begin to take more power then the other animals, despite the rules telling every animal that all animals are equal. The pigs are vicious, they relentlessly work the animals until each is gaunt and sickly. One valiant horse, Boxer, nearly works himself to death. He is not rewarded, but later in the story is shipped off to be processed into glue. All the animals start to question the rules when this happens, but none fight against it. The pigs being walking upright. They are fed more food than the other animals who work more. They even sleep in beds and carry walking sticks. All of these things are prohibited; somehow, the pigs still manage to twist the rules, all because they are in power. At the end of they story, the pigs are seen trading with humans, and the other animals cannot tell the difference between the pigs and the men.

This idea Orwell was trying to create was about how twisted the socialist rulew become once put into law. He was against both capitalism and totalitarianism in any form, but he blatanly bashed the communist system in this story without actually stating it. Napolean and Snowball are allusions to the men in power during communist times while he was alive. The entire story is an allegory to the problems in the Soviet system.

I enjoyed this book thouroughly; it provided me with insight into Orwell’s mindset on communism and explained using examples the way the socialist party fell apart under aggressive powers trying to take advantage of hard- working men and woman beneath them. In communism, the people in power have an easy life and the men and women breath do not. They struggle, they survive with the bare minimum. This book, although fictional, proves the communist system to not work.

I love George Orwell and his works. He has an amazing mindset on certain things and tends to be brutally honest in his work. My next book review might even be on his story, ” 1984.”

 

The Green Mile by Stephen King

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Stephen King’s The Green Mile is a recollection by the elderly Paul Edgecombe of his days as a prison guard. Paul was a guard for the E block of the prison, where prisoners are kept until their executions via electric chair—the floor of the E block is bright green, earning it the title of the Green Mile. Paul finds his job to be a never-ending cycle of prisoner comes in, prisoner stays, prisoner goes, etc. Lately, he has to grapple with Percy Wetmore, a young prison guard who uses connections to higher-ups as an excuse to abuse the prisoners, and Eduard Delacroix, an insane but seemingly harmless inmate with an amazingly intelligent mouse named Mr. Jingles. While Paul and the other guards think nothing of the inmates, their minds change when they meet John Coffey—a giant of a man found guilty of the rape and murder of two little girls. Though Coffey is quiet at first, the guards soon realize that there is more to him than meets the eye—a superpower, perhaps, that doubles as a curse.

As with all of his works, King has an eye for dialogue and detail. I saw every image and heard every conversation as perfectly as possible. Though the characters use expressions we don’t in reality, they did not feel out of place. And though not every moment of the book is packed with suspense and drama, I rarely ever felt bored with it. The cuts to the present-day elderly Paul calmed things down, but did not damage the overall experience, something that most past-and-present-spliced books find difficult to pull off. Delacroix, Wetmore, Coffey, and Wharton were all characters with fantastic characterizations that made them stand out from one another. The plot of the book does not have a typical point-A-to-point-B formatting. The book does not build up to something over its course; arguably, the climax of the book happens a little over halfway through, with the rest tying up loose ends.

On the downside, some of these details can border on unnecessary—one will probably tire of how often the act of urinating is detailed in this book. The first part of the book that focuses so heavily on Mr. Jingles the mouse can also be irksome to get through. And though some of the characters stand out so greatly, others, mostly the prison guards, do not. In all honesty, the only thing I ever knew to differentiate them by was the knowledge that Brutal was the tall and muscular one. That’s it.

The book gives a message that can be hard to swallow: we will all do bad things, some more than others, and how soon we will have to make up for them is unknown. Characters like Wetmore and Percy, without giving away details, exemplify true evils in humans with no remorse for their actions. Meanwhile, characters like Paul and Coffey spend much of their time questioning their choices and wondering if they have done the right thing. The ‘twist’ in the book is also well-executed, as I legitimately did not see it coming, and the smaller ‘twist’ at the end further proves the book’s message.

The Green Mile is deep, dark, and contemplative, and I’d recommend it to everyone.

The term that will turn the heads of so many Mississippians… “Y’all”

“The summer of ‘86, DeVante got jumped by two old sixteen-year-old Vice Lords from West Jackson.”(Laymon)

 

This short story by Kiese Laymon, had to be one of my good reads for the month. The story “I Mean Y’all” was one I came across on his website. Also included in the tile was the description, a “short short short story,” and the purpose of me reading it was definitely not from the detail added to the title. The thing that caught my attention was the title itself, “I Mean Y’all”. The title brings so many nostalgic moments for me being a girl who grew up in Jackson, Mississippi. To many people, it may seem as just a southern slang, but to me, it reminded me of the people I’ve been around for so long. The way they talk, and the familiarity of the slang that I have grown so accustomed to.

Mr. Kiese Laymon does a great job of going straight into the story with detailing of the characters. Details that I can only imagine people growing up in the urban schools of Jackson, Mississippi will understand. His diction is very relaxed, and after a while of reading it, you can almost hear his voice telling you the story himself. For some, that may seem uninteresting, but I can most definitely say that if you have taken the time to speak with Mr. Laymon, you will soon see he is quite the character, and his work reflects his characteristics greatly.

Mr. Laymon has a way of writing works that take you along for a ride, and before you know it, you are being slammed into by a truck on a busy highway. His messages within his work are powerful, and they ease up on the reader in the swiftest way.

A disclaimer, however, that I must give is that this work, as well as many of his other works, are not and I do repeat not for the faint-hearted. It is a short story that is vulgar, honest, and very uncensored; however, I do believe that if the work were not written as it is, then it would miss the rawness of the content. Being a young adult such as myself, who has grown in the community of many other Jackson residents, South and West particularly, I am familiar with the language. The story felt like one I have heard of or even seen before. The people within the story feel like people that I know too well, and that is what I admire most about the piece. I enjoy the way it feels as though Mr. Laymon had the ability to capture the culture and characteristics of the people I have grown to know.

The story, although again its content is very explicit, is a read that I do not regret finding. The work inspires me to embrace my surroundings, and to keep my memories and experiences as close to the surface of my mind as possible. Because even years later, they may be as vital to me then as they were before.

Howl’s Moving Castle — Diana Wynne Jones

The Overview:

Diana Wynne Jones’s 1986 fantasy novel, Howl’s Moving Castle, is about Sophie Hatter, who after disrespecting a maniacal witch, is transformed from a beautiful eighteen-year-old woman to a ninety-year old woman. Unable to speak about her cursed, she is forced to move in with Howl Pendragon (or Howell Jenkins, if you go by his birth name), a wizard notorious for swallowing young girls’ hearts, Michael, his young apprentice, and Calcifer, a fire demon. She makes a deal with Calcifer, who promises to break Sophie’s curse if she breaks his.

(BONUS) The Characters:

Sophie is an extremely strange, but refreshing choice for a protagonist. She does not react to situations the way a normal person would. Arguably, this makes her less relatable, but she makes up for it by being interesting. In the beginning of the story, she acknowledges Howl’s handsomeness, but she is repulsed by it, rather than attracted to it. When someone calls her a witch and says she has accidentally cast a spell over Howl’s clothes to make him irresistible to all women, she shrugs and thinks to herself, “Well, that sounds like me, messing up as usual,” despite never having prior knowledge of any magical ability whatsoever. She is, however, easily influenced emotionally. She gets jealous whenever Howl is out courting, mad when her younger sister tries to convince her their mother is manipulating her, and irritated when Calcifer is not direct with her.

How(el)l Pendragon (or Jenkins) is the most vain, supercilious, cowardly, good- natured, cleverest, funniest deuteragonist I have read about in a long time. He is used to getting his way and is not above throwing temper- tantrums, including forcing green slime to ooze out of his skin, when the slightest thing does not go as planned. He takes pleasure sending people out to ‘blacken his name”, just so he will not have to do work. On sight, most people who meet him either fall in love with him or despise the very dirt he stands on. He is not to be trifled with, however. He has been known to intimidate people and even Calcifer, a fire demon.

Michael is a meek boy and there is nothing particular special about him, excluding his diligence. He loves like a normal boy and gets depressed over mediocre things like a normal boy. But I would say this works in his favor because Howl and Sophie have such unusual personalities, that more absurdness might make the book too off-putting.

Lastly, Calcifer. Calcifer is a bit of an antihero, being a demon, but being on the side of “good.” He does mostly what Howl says due to a mystery contract, but he will not stand to be disparaged. He argues with everyone is the house, and is even a little creepy just in his description.

It would be a thin blue face…very long and thin, with a thin blue nose….And those purple flames near the bottom make the mouth– you have savage teeth, my friend…

A Potential Turn-off:

I’ve thought long and hard about what could possibly turn someone off from this book. I guess the sheer abundance of characters might be it. There a lot of characters including: Sophie, Howl, Michael, Calcifer, the Witch of Waster, Sophie’s two sisters and step-mother, Howl’s sister, nephews, and ex-magic teacher, the King and his brother and daughter, Miss Angorian, a creepy scarecrow, a dog-man, and I’m probably forgetting more.

An Appealing Factor: 

Everything. Mostly Howl’s dry humor.

My Rating:

It’s been a long time since I got angry I had to put a book down. I rate Howl’s Moving Castle ten out of ten stars. Buy the book.