{"id":14489,"date":"2022-02-10T10:04:00","date_gmt":"2022-02-10T16:04:00","guid":{"rendered":"https:\/\/blog.msabrookhaven.org\/literary\/?p=14489"},"modified":"2022-02-10T10:04:03","modified_gmt":"2022-02-10T16:04:03","slug":"call-me-by-your-name-review","status":"publish","type":"post","link":"https:\/\/blog.msabrookhaven.org\/literary\/2022\/02\/10\/call-me-by-your-name-review\/","title":{"rendered":"Call Me By Your Name Review"},"content":{"rendered":"\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ff00ff;\"><strong><em>*Warning: Spoilers Ahead*<\/em><\/strong><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14533 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Call-Me-By-Your-Name-Blue-Main-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Call-Me-By-Your-Name-Blue-Main-300x169.jpg 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Call-Me-By-Your-Name-Blue-Main-768x432.jpg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Call-Me-By-Your-Name-Blue-Main.jpg 952w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/p>\n<p><span style=\"color: #ff00ff;\">Disclaimer: This is my review of the <em>Call Me By Your Name<\/em> through its film and script, not the book. Credit to authors and director mentioned below.<\/span><\/p>\n<p>The movie <em>Call Me By Your Name<\/em> takes place in the Summer of 1983, &#8220;somewhere in Northern Italy.&#8221; Oliver is a foreign exchange student who comes to live and study under Professor Perlman for the summer. The professor&#8217;s son, Elio, is a young, bright boy who loves to dance kinda funny.<\/p>\n<p>The film follows the complicated relationship of Elio and Oliver who begin to bond incredulously. What begins as simple infatuation evolves into insatiable desire.<\/p>\n<p>One of the biggest things this movie shows is how stellar character interaction can be for ultimate audience satisfaction.<\/p>\n<p style=\"text-align: right;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14551\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Elio-drinking-glasses-169x300.jpg\" alt=\"\" width=\"169\" height=\"300\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Elio-drinking-glasses-169x300.jpg 169w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Elio-drinking-glasses-575x1024.jpg 575w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Elio-drinking-glasses.jpg 686w\" sizes=\"(max-width: 169px) 85vw, 169px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #ff00ff;\">It must be talked about! See? Elio agrees. \ud83d\ude42 <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/p>\n<p>For starters,<em> Call Me By Your Name <\/em>does an incredible job at utilizing indirect dialogue. There are too many moments to keep track of, but perhaps one of the best to mention is when Elio is expressing to Oliver how he feels about him.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14560 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-1-213x300.jpeg\" alt=\"\" width=\"427\" height=\"601\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-1-213x300.jpeg 213w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-1-726x1024.jpeg 726w\" sizes=\"(max-width: 427px) 85vw, 427px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14565 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-211x300.jpeg\" alt=\"\" width=\"422\" height=\"600\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-211x300.jpeg 211w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-719x1024.jpeg 719w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-768x1093.jpeg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-1079x1536.jpeg 1079w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-1438x2048.jpeg 1438w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48-1200x1709.jpeg 1200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/2022-02-09-16-48.jpeg 1713w\" sizes=\"(max-width: 422px) 85vw, 422px\" \/><\/p>\n<p>Elio never just comes out and says, &#8220;I like you.&#8221; He talks to Oliver in a certain way where he beats around the bush with his language, and Oliver follows along talking in a similar fashion.<\/p>\n<p>It just makes sense. It&#8217;s the 80s and society was in a different place, especially with the topic of sexuality in public, as they are in during this conversation. It also keeps the audience figuring out the plot themselves rather than simply having it laid out for them. Here is the scene from the film.<\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;You know what things...&quot; complete scene from &quot;Call me by your name&quot;.\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/Ynv-EC8O0AI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>This is only one of many scenes that showcase this indirect style of dialogue that courses through the film&#8217;s structure.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-14554\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-300x200.jpg\" alt=\"\" width=\"309\" height=\"206\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-300x200.jpg 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-1024x682.jpg 1024w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-768x512.jpg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-1536x1024.jpg 1536w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking-1200x800.jpg 1200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Fountain-scene-Oliver-Looking.jpg 2000w\" sizes=\"(max-width: 309px) 85vw, 309px\" \/> <em>A picture from the above mentioned scene.<\/em><\/p>\n<p>There are also many subtle notions that are easy to be overlooked but help the storyline. One of these instances when Oliver is eating a poached egg for the first time. He struggles at first and ruins his first egg, but after he learns he devours the egg.<\/p>\n<p>Elio&#8217;s mother, Annella, suggests he have another.<\/p>\n<p>Oliver responds with the line, &#8220;I know myself. If I have three, I&#8217;ll have a fourth, and then more.&#8221;<\/p>\n<p>The script elaborates after this line by writing, &#8220;ELIO has never heard someone Oliver&#8217;s age say, <em>I know myself<\/em>. It&#8217;s somewhat intimidating. He lowers his eyes.&#8221;<\/p>\n<p>This highlights how early on the power dynamic Oliver and Elio struggled with in the beginning of the film began. I imagined it perhaps started later on when the two were more vocally catty.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14567 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-300x169.jpg 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-1024x576.jpg 1024w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-768x432.jpg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-1536x864.jpg 1536w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN-1200x675.jpg 1200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/Statue-handshake-CMBYN.jpg 1600w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/><\/p>\n<p>Perhaps I am reading too much into it. For me though, upon reading the script I have noticed more spots that could have easily been overlooked watching the film, whereas a viewer might only focus on the more obvious scenes shown.<\/p>\n<p>Another powerful scene that deserves its own moment is probably toward the very end of the film. Elio&#8217;s father has a talk with Elio about their relationship, and it is very emotional. It adds all the closure you didn&#8217;t realize you and Elio needed by that point of the film. Here is the video and script for the scene.<\/p>\n<p><iframe loading=\"lazy\" title=\"Call me by your name father and son scene\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/Gf1ruHJlkKE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14570 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-209x300.jpeg\" alt=\"\" width=\"418\" height=\"600\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-209x300.jpeg 209w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-714x1024.jpeg 714w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-768x1102.jpeg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-1071x1536.jpeg 1071w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-1427x2048.jpeg 1427w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3-1200x1722.jpeg 1200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-3.jpeg 1585w\" sizes=\"(max-width: 418px) 85vw, 418px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14571 aligncenter\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-207x300.jpeg\" alt=\"\" width=\"414\" height=\"600\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-207x300.jpeg 207w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-706x1024.jpeg 706w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-768x1115.jpeg 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-1058x1536.jpeg 1058w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-1411x2048.jpeg 1411w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4-1200x1742.jpeg 1200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2022\/02\/CMBYN-PAGE-4.jpeg 1502w\" sizes=\"(max-width: 414px) 85vw, 414px\" \/><\/p>\n<p>This is actually very unique for a LGBTQIA+ film. For the gay male character to have such a supporting father is not a common thread of almost any gay films\/shows. Besides the closure and diversity it delivers, this moment deepens the layers of the father&#8217;s character. It shows how insightful and observative he is, while also providing care for his son he knows is hurting. This scene hits the audience at an already rough point of the film, but it is vital.<\/p>\n<p>Overall, I can only hope I did this movie the justice I feel it deserves. <em>Call Me By Your Name<\/em> has been such a great addition to cinema, and has phenomenal acting. Like writing aside, the actors\/actresses serve.<\/p>\n<p>What&#8217;s not to love about this movie? I invite you to go take a trip to Italy through the film and see for yourself (possibly again) what I&#8217;ve been geeking over for an entire blog post. You might just have a good time \ud83d\ude42<\/p>\n<p><span style=\"color: #ff00ff;\">Thank you to Andr\u00e9 Aciman for writing the book. Thank you to James Ivory for writing the screenplay. Thank you to Luca Guadagnino for directing the movie. You guys thankfully made this story come to life. Again, thank you so much. &lt;3<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 *Warning: Spoilers Ahead* Disclaimer: This is my review of the Call Me By Your Name through its film and script, not the book. Credit to authors and director mentioned below. The movie Call Me By Your Name takes place in the Summer of 1983, &#8220;somewhere in Northern Italy.&#8221; Oliver is a foreign exchange student &hellip; <a href=\"https:\/\/blog.msabrookhaven.org\/literary\/2022\/02\/10\/call-me-by-your-name-review\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Call Me By Your Name Review&#8221;<\/span><\/a><\/p>\n","protected":false},"author":60,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[306,308,311,62,309,65,310],"_links":{"self":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/14489"}],"collection":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/comments?post=14489"}],"version-history":[{"count":19,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/14489\/revisions"}],"predecessor-version":[{"id":14577,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/14489\/revisions\/14577"}],"wp:attachment":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/media?parent=14489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/categories?post=14489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/tags?post=14489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}