{"id":11389,"date":"2021-03-04T09:59:05","date_gmt":"2021-03-04T15:59:05","guid":{"rendered":"https:\/\/blog.msabrookhaven.org\/literary\/?p=11389"},"modified":"2021-03-04T09:59:08","modified_gmt":"2021-03-04T15:59:08","slug":"help-ive-fallen-for-depeche-mode-and-cant-get-up","status":"publish","type":"post","link":"https:\/\/blog.msabrookhaven.org\/literary\/2021\/03\/04\/help-ive-fallen-for-depeche-mode-and-cant-get-up\/","title":{"rendered":"Help! I&#8217;ve Fallen for Depeche Mode and Can&#8217;t Get Up"},"content":{"rendered":"\n<p>I have always found the synthesizer-driven band Depeche Mode fascinating. When I was much younger, I pronounced Depeche (&#8220;depesh&#8221;) like &#8220;depeechee&#8221;, and every time &#8220;People Are People&#8221; filled my ears with clanging metal, dance-inspiring synth beats, and catchy lyrics, I would lose my cool. I took nothing from the lyrics, but the angelic voice singing, &#8220;I can&#8217;t understand what makes a man hate another man,&#8221; against a backdrop of punchy electronic rhythm made me want to dance.\u00a0<\/p>\n<p>Fast forward to today&#8230;I am a senior in high school listening to the same classic song. And I still can not get over the bouncy bass synths, explosion of clanging metal, and the unraveling, airy synth that strikes an impression even before the vocals begin.<\/p>\n<p>How did I get here? admiring a strange-sounding song from 1984 to the point that I am writing an obsession-fueled blog post?\u00a0<\/p>\n<p>To be honest, I ended up with a good bit of my parents&#8217; music taste. It has always appealed to me\u2014the mix of eighties&#8217; and nineties&#8217; hits I would play over and over on my pink portable CD player. I would blast through earbuds &#8220;Run Away&#8221; by Real McCoy in the car or make up dances in my room to &#8220;99 Luftballons&#8221; by Nena. I would sing giddily along to &#8220;Friday I&#8217;m in Love&#8221; by the Cure or become entranced by the whining guitar in the Smiths&#8217; song &#8220;How Soon is Now?&#8221; I soon abandoned the CD player and fell into other genres and aesthetics, but years later, I ended right back where I started. And that is the power of the eighties, hah!<\/p>\n<p>I was a tenth grader in two back-to-back online classes with access to Youtube. I was peeling oranges and stalking Mississippi School of the Arts&#8217; website and feeling stuck in my present reality. My prime form of escapism? Music. I had my earbuds in the second the bell rang for first block <em>all\u00a0<\/em>the way until lunch&#8230;almost four hours later. After twenty hours a week of listening to your same favorite genres, you grow desperate. Therefore, I thought, <em>hey! I need to look up some songs from my childhood!\u00a0<\/em>Oh, Callie&#8230;why? Your addiction is so bad you want to be more of a music nerd than that old guy on Youtube who bought Alan Wilder&#8217;s Jupiter 8. <em>Who is Alan Wilder? <\/em>I will get to that later!<\/p>\n<p>But, yes, what happened? My mind exploded.<\/p>\n<p>I first listened to a basic radio station called <strong>EIGHTIES&#8217; HITS! <\/strong>or something generic. And oh, jeez, I was hooked. My brain looked like this:\u00a0<em>&#8220;Oh my goodness, a band called the Cutting Crew sings the song that goes, &#8216;I just diiiieeeed in your arms tonighhhht,&#8217; it all makes sense!&#8221;<\/em>. After discovering I was a fan of INXS and Simple Minds, I decided to try something out called&#8230;dun dun dun:\u00a0<strong>new wave<\/strong>. So I listened to a new wave radio station on Google Music (which later kicked me out because I would skip\u00a0<em>way\u00a0<\/em>too much). WOW! I began connecting familiar songs to band names and album covers, and to me, &#8220;the dots&#8221; were all connected. What next? Youtube.<\/p>\n<p>I nearly fell out of my chair discovering the British show Top of the Pops. I nearly fell out of my chair watching the music video for &#8220;Take on Me&#8221; by a-ha for the first time. I also put the magical, awe-inspiring music of Tears for Fears to names and faces. Oh, boy, was it a trip to watch the &#8220;Shout&#8221; music video for the first time! I developed a very healthy obsession after watching Roland and Curt with mullets and trench coats singing dramatically on a beach. Suddenly I found my\u00a0<em>thing\u2014<\/em>something that interested me beyond belief, something I absolutely\u00a0<em>had\u00a0<\/em>to research and learn everything about.\u00a0<\/p>\n<p>Almost three years later, I own a synthesizer and like to pretend I am in a new wave band in the eighties. R.I.P.\u00a0<\/p>\n<p>Even though this is so laughable (I have a jolly good time laughing at myself, but it is simply so fun!), music means everything to me. I never have time to play my synthesizer, but when I do my eyes will not leave it for hours. There is something so alluring about synthesizers and new wave to me. It is my favorite genre of all time, and in a way, it is everything that I am. From the &#8220;stay weird&#8221;, jittery dancing of Dave Byrd (of the Talking Heads) to Mike Score&#8217;s (of A Flock of Seagulls) strange hair-do and sci-fi persona, I see myself. And I see myself in the whirs and clicks of Gary Numan&#8217;s cold synthesizers, and I see myself in the Cure&#8217;s rich blend of impeccable sound. New wave is full of melancholy, madness, and intention created by some pretty darn intelligent artists battling pessimism or transforming it into art. Inspired by the blatant &#8220;I don&#8217;t care&#8221; attitude of punk and England&#8217;s grey skies, new wave has inspired nearly every aspect of my life. It is an addiction, I tell ya&#8230;<\/p>\n<p>Where does Depeche Mode fit into all of this?\u00a0<\/p>\n<p>In 2018, I typed &#8220;People Are People&#8221; into the Youtube search engine and found this:<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode - People Are People (Official Video)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/MzGnX-MbYE4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>So\u00a0<em>this\u00a0<\/em>was &#8220;Depeechee&#8221; Mode&#8230;interesting. Immediately, I was filled with a hundred questions all vying for my attention. What was going on? Who exactly were these people? What did the lyrics mean? And, most importantly, <em>was that a battleship?<\/em> I was intrigued by the\u00a0<strong>cool\u00a0<\/strong>lead singer who wore all black and possibly eyeliner. And I loved his funky dance moves, haha! I could not make out much of the other band members other than the second main singer<em>\u2014<\/em>the curly blond one wearing\u00a0<em>a lot\u00a0<\/em>of eyeshadow and leather. Although I was not aware of it at the time, I was\u00a0<em>hooked.\u00a0<\/em><\/p>\n<p>I have undergone numerous Depeche Mode phases since then<em>\u2014<\/em>which basically consist of me listening to nothing but DM, wanting to wear my leather jacket with everything, and doing a concerning amount of research and video-mining. Surprise! I am in a <strong>mega\u00a0<\/strong>Depeche Mode phase right now, so step aside, Cure!<\/p>\n<p>Therefore, I present to you the extensive product of my infatuation: a blog discussing the addictive but\u00a0<strong><em>stellar\u00a0<\/em><\/strong>nature of Depeche Mode and the band&#8217;s insane influence on its very, very, very devoted fans.<\/p>\n<p><em>Depeche Mode, if you are reading this, go on tour&#8230;I am begging you.<\/em><\/p>\n<hr \/>\n<h4>Depeche Mode<\/h4>\n<p>Some brief history:<\/p>\n<ul style=\"list-style-type: circle;\">\n<li>formed in Basildon in 1980<\/li>\n<li>OG member Vince Clarke said &#8220;peace out&#8221; after the first album dropped and went on to form Yaz and Erasure<\/li>\n<li>Alan Wilder joined in 1982 after lying about his age and acing the audition<\/li>\n<li>Depeche Mode started wearing leather jackets<\/li>\n<li>Boom&#8230;fourteen studio albums and worldwide success<\/li>\n<\/ul>\n<h4>WHo the heck are these people?<\/h4>\n<h5>Dave Gahan<\/h5>\n<p><strong><em>The man, the myth, the legend&#8230;lead singer of Depeche! (also, &#8220;the attitude&#8221;)<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11395\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.13.37-AM-200x300.png\" alt=\"\" width=\"205\" height=\"308\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.13.37-AM-200x300.png 200w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.13.37-AM.png 298w\" sizes=\"(max-width: 205px) 85vw, 205px\" \/><\/p>\n<h5>Martin L. Gore<\/h5>\n<p><strong><em>A literal icon&#8230;synth and guitar player&#8230;vocalist (and &#8220;the brains&#8221; behind Depeche&#8217;s lyrics)!:<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11396\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.25.22-AM-134x300.png\" alt=\"\" width=\"184\" height=\"412\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.25.22-AM-134x300.png 134w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.25.22-AM.png 196w\" sizes=\"(max-width: 184px) 85vw, 184px\" \/><\/p>\n<h5>Alan Wilder<\/h5>\n<p><strong><em>Synth legend and extraordinaire&#8230;occasional drummer (&#8220;the genius&#8221; and &#8220;the secret mastermind&#8221; behind the majority of DM hits)!:<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11397\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.31.21-AM-246x300.png\" alt=\"\" width=\"260\" height=\"317\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.31.21-AM-246x300.png 246w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.31.21-AM.png 360w\" sizes=\"(max-width: 260px) 85vw, 260px\" \/><\/p>\n<h5>Andrew Fletcher<\/h5>\n<p><strong><em>&#8230;he plays the synth pretty darn well, is a tall English lad, and can be mistaken as DM&#8217;s accountant (&#8220;the consistency&#8221;)!:<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11398\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.37.49-AM-203x300.png\" alt=\"\" width=\"211\" height=\"312\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.37.49-AM-203x300.png 203w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-3.37.49-AM.png 302w\" sizes=\"(max-width: 211px) 85vw, 211px\" \/><\/p>\n<p><em>*note: everyone in Depeche kind of does their own thing\u2014from playing tambourine to shopping cart sides\u2014so take these roles with a grain of salt*<\/em><\/p>\n<p><strong><em>&#8230;Depeche Mode!<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11407\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.47.32-PM-300x224.png\" alt=\"\" width=\"452\" height=\"337\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.47.32-PM-300x224.png 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.47.32-PM.png 597w\" sizes=\"(max-width: 452px) 85vw, 452px\" \/><\/p>\n<p>They have gone through so many stages as a band; it is absolutely wild.\u00a0<\/p>\n<h4>Stage One: Vince Clarke era<\/h4>\n<ul style=\"list-style-type: circle;\">\n<li>album one released in 1981: <em>Speak and Spell<\/em><\/li>\n<li>I bet $100 that the band can not recall this era without cringing<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11408\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.54.45-PM-300x197.png\" alt=\"\" width=\"300\" height=\"197\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.54.45-PM-300x197.png 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.54.45-PM.png 591w\" sizes=\"(max-width: 300px) 85vw, 300px\" \/> \u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11409\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.55.55-PM-300x186.png\" alt=\"\" width=\"316\" height=\"196\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.55.55-PM-300x186.png 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.55.55-PM-768x476.png 768w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-16-at-11.55.55-PM.png 850w\" sizes=\"(max-width: 316px) 85vw, 316px\" \/><\/p>\n<p>They look so uncomfortable<em>\u2014<\/em>to the point I must laugh. Vince is the scraggly lad that is slightly separate from the others, almost appearing edited in.\u00a0<\/p>\n<p>The only Depeche Mode music video Vince Clarke made an appearance in despite forming the band:<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode - Just Can&#039;t Get Enough (Official Video)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/_6FBfAQ-NDE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>The first time I saw this, I was taken aback. Although this is a fun, bubble-gum synth pop performance that fits the song, it is obvious that they are trying too hard.\u00a0<\/p>\n<p>Surprise&#8230;Vince Clarke leaves the band&#8230;something to do with finding the interviews and prospect of touring busy and annoying. Dave Gahan says Vince was actually bored and itching to seek out more successful projects.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-11410\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.15.10-AM-246x300.png\" alt=\"\" width=\"280\" height=\"342\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.15.10-AM-246x300.png 246w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.15.10-AM.png 254w\" sizes=\"(max-width: 280px) 85vw, 280px\" \/><\/p>\n<h4>Stage Two: Alan Wilder Joins<\/h4>\n<ul style=\"list-style-type: circle;\">\n<li>1981<\/li>\n<li>The band put out an ad in a magazine asking for a new member under the age of twenty-one. After lying that he was not twenty-two, Alan Wilder aced the audition and joined the band.\u00a0<\/li>\n<li>A classically trained musician, <strong>Alan became the Music Director of the band and was responsible for its sound. <\/strong><em>(Bolded because t<\/em><em>his is an important note to pay attention to&#8230;)<\/em><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11411 alignleft\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.18.28-AM-300x197.png\" alt=\"\" width=\"307\" height=\"201\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.18.28-AM-300x197.png 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.18.28-AM.png 625w\" sizes=\"(max-width: 307px) 85vw, 307px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-11412\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.31.02-AM-295x300.png\" alt=\"\" width=\"295\" height=\"300\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.31.02-AM-295x300.png 295w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-12.31.02-AM.png 333w\" sizes=\"(max-width: 295px) 85vw, 295px\" \/><\/p>\n<p>Okay, refresher: (from left-to-right) Andrew &#8220;Andy&#8221; Fletcher, Dave Gahan, Martin Gore, and&#8230;new addition Alan Wilder.<\/p>\n<p>Look how young they were! It makes me laugh because, well, you will see how much they change.\u00a0<\/p>\n<p>But in my opinion, Alan Wilder fits the band a hundred times better than Vince. This is a rock solid four<em>\u2014<\/em>they all compliment each other.\u00a0<\/p>\n<p>One of the first Depeche Mode videos I watched<em> (surprisingly, I viewed this live version of &#8220;Just Can&#8217;t Get Enough&#8221; before the official music video):<\/em><\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode &quot;Just can&#039;t get enough&quot; | Archive INA\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/PhIWuZnagkU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>I can never watch this without smiling. Although Vince<em>\u2014<\/em>who was the major songwriter<em>\u2014<\/em>is not present, this version to me feels more authentic and better fits the song. And it is live! I love Depeche Mode because they are natural performers. This is super light-hearted and infectiously giddy. Andy&#8217;s awkward foot-dancing? Yes. Dave&#8217;s youthful dancing? Yes. Alan&#8217;s fun swagger? Yes. Martin&#8217;s good-humored smirk? Yes.<\/p>\n<p>To me, this video represents the new Depeche Mode. And they were not trying to be anyone but a couple of young guys playing synths and enjoying themselves. To me, this is how the band truly began.<\/p>\n<h4>Stage Three: Leather Jackets? Yes.<\/h4>\n<ul style=\"list-style-type: circle;\">\n<li>1984<\/li>\n<li>Occurred after the suit-and-tie phase of the following albums:\u00a0<em>A Broken Frame\u00a0<\/em>(1982) (included hits such as &#8220;Leave in Silence&#8221; and &#8220;See You&#8221;) and <em>Construction Time Again\u00a0<\/em>(1983) (included hits such as &#8220;Everything Counts&#8221; and &#8220;Love, in Itself&#8221;)<\/li>\n<li>The albums of this era include the following: <em>Some Great Reward<\/em> (1984) (&#8220;People Are People&#8221; and &#8220;Blasphemous Rumours&#8221;), <em>Black Celebration<\/em> (1986) (&#8220;Black Celebration&#8221; and &#8220;A Question of Time&#8221;), <em>Music for the Masses<\/em> (1987) (&#8220;Never Let Me Down Again&#8221; and &#8220;Strangelove&#8221;), and of course&#8230;<em>Violator<\/em> (1990) (&#8220;Enjoy the Silence&#8221; and &#8220;Personal Jesus&#8221;).\u00a0<\/li>\n<li><em><strong>The &#8220;Golden Era&#8221; of Depeche Mode!<\/strong><\/em><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11417 alignleft\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-2.10.50-AM-177x300.png\" alt=\"\" width=\"291\" height=\"493\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-2.10.50-AM-177x300.png 177w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-2.10.50-AM.png 266w\" sizes=\"(max-width: 291px) 85vw, 291px\" \/>\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11416 alignleft\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.54.32-AM.png\" alt=\"\" width=\"242\" height=\"256\" \/><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11415 alignleft\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.48.06-AM-300x240.png\" alt=\"\" width=\"302\" height=\"241\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.48.06-AM-300x240.png 300w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.48.06-AM.png 492w\" sizes=\"(max-width: 302px) 85vw, 302px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11414 alignleft\" src=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.43.12-AM-283x300.png\" alt=\"\" width=\"283\" height=\"300\" srcset=\"https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.43.12-AM-283x300.png 283w, https:\/\/blog.msabrookhaven.org\/literary\/wp-content\/uploads\/2021\/02\/Screenshot-2021-02-17-at-1.43.12-AM.png 426w\" sizes=\"(max-width: 283px) 85vw, 283px\" \/>\u00a0<\/p>\n<p>This era is my personal favorite. I can not possibly express how much I love every album, every individual detail that amounts to the overall aesthetic. It is literally perfect.<\/p>\n<p>So, what happened to the bow-tie-wearing, basically British boy band from before? Well&#8230;Vince Clarke founded Depeche Mode in two instances: the moment he created it and the moment he left.<\/p>\n<p>Depeche started with Vince and Andy playing guitars inspired by the Cure&#8217;s 1979 album <em>Three Imaginary Boys.\u00a0<\/em>And they only fell in love with synthesizers because of Andy&#8217;s friend Martin, who owned a synth cheaper than a guitar amp. Vince was a founding member. He brought the band together, and they played for years in random locations<em>\u2014<\/em>sporting the name Depeche Mode, something Dave Gahan had spotted in a clothing magazine during his time studying fashion in college. Depeche&#8217;s 1981 album\u00a0<em>Speak and Spell\u00a0<\/em>is irreplaceable, fun, and genius. &#8220;New Life&#8221; is a stellar opening number filled with bubbly sequencers and early 80&#8217;s synth pop fun. I love &#8220;Just Can&#8217;t Get Enough&#8221; so much that I learned the riff on my own synthesizer. But <em>Speak and Spell\u00a0<\/em>was Vince Clarke.\u00a0<\/p>\n<p>Vince was the main producer, the leader. He wrote the lyrics, the music<em>\u2014<\/em>everything<em>.\u00a0<\/em>And if he would have continued with Depeche Mode, the band as we knew it would not have existed&#8230;no &#8220;Personal Jesus&#8221;, &#8220;Strangelove&#8221;, &#8220;People Are People&#8221;&#8230;nothing. And I feel like Vince would have left anyway. He was not destined to carry on with the guys from Basildon; therefore, I feel he saved Depeche by leaving, in a way. And he produced some memorable hits with Yaz and formed Erasure, a perfect musical duo that has lasted for years. By leaving, Vince created Depeche Mode as we knew it. Thanks, Vince Clarke!<\/p>\n<p>When Vince left, Martin took up songwriting and Alan joined. And Depeche flourished.<\/p>\n<p>In 1984, three years and two albums after Vince departed, the band released an album entitled\u00a0<em>Some Great Reward.\u00a0<\/em>In my opinion, with this album, Depeche Mode truly grew into the icons that they are. Alan introduced EM-U Emulators I and II. And with these legendary synthesizers, Depeche Mode began sampling sounds like scissors snipping and pots clattering down stairs.\u00a0<em>Some Great Reward\u00a0<\/em>was unlike anything music had seen before. The music is heavy, industrial, metallic. It carries the sound of traditional synth pop presets but blended unrecognizably. It is incredibly rich in texture, tone. And Dave&#8217;s voice adds a smooth touch to all the grating metal sound effects. Somehow, the band managed to create something so heavy and steely but packed with such emotion.\u00a0<\/p>\n<p>For example, here is a track from\u00a0<em>Some Great Reward.<\/em> I first encountered &#8220;Blasphemous Rumours&#8221; on the radio while driving sometime at night. I had never heard anything quite like it before; it was extraordinary. Side note, I had never sat through the entire music video before, so I only now noticed the Yamaha DX7 (?) synth Martin is playing! That is one of the most legendary 80&#8217;s synths of all time. Also, I am not going to comment how much Dave looks like Morrissey&#8230;<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode - Blasphemous Rumours (Official Video)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/o3EAzf5fDpY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><em>Speak and Spell\u00a0<\/em>was fun and bright-sounding but consciously Vince Clarke. Written mainly by Vince, <em>A Broken Frame\u00a0<\/em>still carried the same early synth pop melodies.\u00a0<em>Construction Time Again\u00a0<\/em>introduced a more industrial edge. And with <em>Some Great Reward,\u00a0<\/em>every trace of Vince Clarke&#8217;s electronic optimism had vanished. The band was changing\u2014adopting a darker appearance and focusing heavily on life&#8217;s substance. And with their 1986 album\u00a0<em>Black Celebration<\/em>, their transition from posh school boys to pensive stars in leather jackets was final.<\/p>\n<p>In my opinion,\u00a0<em>Black Celebration <\/em>was Depeche Mode&#8217;s first rock-solid, awe-inspiring album. Every song is an individual, but their flow altogether is immaculate. Everything is intentional and ingenious. And the first track, &#8220;Black Celebration&#8221; is one of the most captivating opening numbers of all time. I can only compare its dynamic, darkly mystifying beginning to the ethereal &#8220;Plainsong&#8221;, a track that introduces the Cure&#8217;s <em>Disintegration.\u00a0<\/em>Not only is the song cinematic, but the beat is incredibly catchy and rich variety.\u00a0<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche mode - Black Celebration 01\/19 (London 1986)\" width=\"840\" height=\"630\" src=\"https:\/\/www.youtube.com\/embed\/2t-5fkzVjiY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>In 1987, Depeche Mode&#8217;s six album,\u00a0<em>Music for the Masses<\/em>, was released&#8230;and what has to be one of my favorite Depeche Mode eras. The album begins with the sonic\u00a0&#8220;Never Let Me Down Again&#8221;\u2014a literal masterpiece meant for stadiums packed with thousands. This epic opening of impressive sound leads into an album showcasing the band&#8217;s versatility. From the techno ballad &#8220;The Things You Said&#8221; to the heavy, drum-filled &#8220;To Have and to Hold&#8221;,\u00a0<em>Music for the Masses\u00a0<\/em>truly displays the sheer ingenuity of the band. My favorite Depeche Mode song ever, &#8220;Strangelove&#8221;, is featured on this album!<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode - Strangelove (TOTPs 1987)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/gobbHijjt18?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>I recently learned the catchy synth riff on my synthesizer, and it is so addictive to play! I love the groove of this song; it is so unique and dance-worthy. I also love the <em>Music for the Masses\u00a0<\/em>era because of 101, Depeche&#8217;s live album recorded in the Rose Bowl. I personally believe it is one of most stellar live performances of all time. Here is a video of the legendary concert. At 45:44, the band closes with &#8220;Never Let Me Down Again&#8221;.\u00a0<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode 101 Live\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/dKxdfclnsLc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Then, in 1990, Depeche Mode dropped one of the most memorable albums of all time:\u00a0<em>Violator.\u00a0<\/em>In a way, this album feels like a second part to\u00a0<em>Music for the Masses.\u00a0<\/em>The band&#8217;s most acclaimed songs\u2014&#8221;Enjoy the Silence&#8221; and &#8220;Personal Jesus&#8221; are found on this album. I personally view\u00a0<em>Violator\u00a0<\/em>as the peak of Depeche Mode. The dark, sophisticated allure they had been building since 1984 had risen to its highest, most profound degree. This was Depeche Mode in all of its synth-driven, dark wave glory. Although their next album was a massive success, to me <em>Violator\u00a0<\/em>will always be Depeche&#8217;s magnum opus.<\/p>\n<p><iframe loading=\"lazy\" title=\"Depeche Mode &quot;Enjoy The Silence&quot; (World Trade Center)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/e7Y699aQvJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>May I present to you &#8220;Enjoy the Silence&#8221;! Perhaps the band&#8217;s most popular piece, this was once a typical ballad written by Martin. But Alan suggested a more electronic, fast tempo approach usually found in dance music (side note: that is Alan at 2:06 playing the synthesizer). Thank you, Alan Wilder, because this song is not only unique but a smashing success! I also learned it on my synth, and it is absolutely beautiful!<\/p>\n<h4>So this is Depeche Mode<\/h4>\n<p>This is only part of Depeche&#8217;s journey as a band. But these were my favorite years: the awkwardness of finding fame at a young age and losing their frontman, the shift between bow ties and leather jackets, the manifestation of a sound unlike any other. This group of four\u2014Dave Gahan, Martin L. Gore, Andy Fletcher, and Alan Wilder\u2014were unstoppable. But dark days lay ahead. Everything changed after <em>Violator.<\/em><\/p>\n<p>I have always loved Depeche Mode. But recently, I have sort of fallen in love with the band. They are beyond talented, and it is no surprise that their fans are known as Devotees (after their upcoming album\u00a0<em>Songs of Faith and Devotion\u00a0<\/em>and its Devotional tour). There is no mistaking the soul connection fans have to the band. And I realized this after stumbling upon a documentary entitled <em>Our Hobby is Depeche Mode.<\/em> Suddenly, my interest in Depeche Mode was rekindled. This blog, and what is to come, is all a result of that documentary; this is my interpretation, my analysis, my perspective.<\/p>\n<p>Stay tuned for more! This is part one of a series based upon the documentary. In this blog, I broke down some of the band&#8217;s background. In part two, I will analyze the documentary&#8217;s contents in-depth and ponder the reason behind Depeche&#8217;s influence. And in part three I will ask, who exactly is Depeche Mode?<\/p>\n<p>Thank you for reading, and come back soon!<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have always found the synthesizer-driven band Depeche Mode fascinating. When I was much younger, I pronounced Depeche (&#8220;depesh&#8221;) like &#8220;depeechee&#8221;, and every time &#8220;People Are People&#8221; filled my ears with clanging metal, dance-inspiring synth beats, and catchy lyrics, I would lose my cool. I took nothing from the lyrics, but the angelic voice singing, &hellip; <a href=\"https:\/\/blog.msabrookhaven.org\/literary\/2021\/03\/04\/help-ive-fallen-for-depeche-mode-and-cant-get-up\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Help! I&#8217;ve Fallen for Depeche Mode and Can&#8217;t Get Up&#8221;<\/span><\/a><\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/11389"}],"collection":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/comments?post=11389"}],"version-history":[{"count":37,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/11389\/revisions"}],"predecessor-version":[{"id":11593,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/posts\/11389\/revisions\/11593"}],"wp:attachment":[{"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/media?parent=11389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/categories?post=11389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.msabrookhaven.org\/literary\/wp-json\/wp\/v2\/tags?post=11389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}